Entry tags:
- *event,
- aldnoah.zero: asseylum vers allusia,
- aldnoah.zero: slaine troyard,
- blood bank: reign fear,
- blood bank: shell overlord,
- blood+: diva,
- blue exorcist: mephisto pheles,
- bungou stray dogs: atsushi nakajima,
- bungou stray dogs: chuuya nakahara,
- bungou stray dogs: osamu dazai,
- camp half-blood: percy jackson,
- dceu: clark kent,
- dragon age: anders,
- dragon age: justice,
- ffxiv: alisaie leveilleur,
- ffxv: prompto argentum,
- fire emblem: frederick,
- fullmetal alchemist: olivier armstrong,
- granblue fantasy: cain,
- guilty gear: venom,
- gundam: mikazuki augus,
- gundam: setsuna f. seiei,
- it: richie tozier,
- jjba: rohan kishibe,
- kingdom hearts: terra,
- little witch academia: atsuko kagari (ak,
- loz: urbosa,
- mcu: peter quill,
- outlander: claire fraser,
- overwatch: jack morrison (soldier 76),
- penumbra podcast: peter nureyev,
- star trek: james t. kirk,
- stargate: john sheppard,
- teahouse: linneus,
- tenchi muyo!: ryoko hakubi,
- torchwood: ianto jones
❪ event ❫ khalo? can you hear me?
OLYMPIAN PRESERVATION ![]() The city of Olympia is preparing the send-off of its most prized artifact: the heart of the ancient dragon, Ysverai. In doing this, they've transformed the palace court into an exhibition detailing the centuries-old war between Wyver and Olympia. Sculptures of Nithor the Exalted and his men and women in clean, white marble, while their armors are polished in perfect gold. Among Nithor are the sculptures of stallions in all shapes and sizes that also aided in the great war. Further in the exhibition, one may also find other artifacts of much older weaponry, rusted by its time in the earth, and items found from a time when humans feared the dragons. The Royal Guard has increased its numbers in wake of such a public event, particularly because the heart will be in display also. The heart is not what one might expect it to be: about the size of an average human, the heart's core is surrounded in stone, a red glow emitting from its still beating core. If that were not unsettling enough, one might also find that lingering around this particular exhibit will have undue affects on one's inhibitions. You'll notice your heart has fallen into sync with the organ, and your more selfish desires will come forth. Things that have long been buried will rise up and place you in a state of unease, encouraging paranoia about your companions intentions. Allow it to fester, and one will carry this feeling with them long after you've left the scene. It's probably a good thing this is leaving Olympia — perhaps it's a source of so much conflict you've endured. It's easy to become mesmerized by all the historical artifacts that are present in Olympia's exhibition. Some even seem mystical or, like Ysverai’s heart, to hold unspeakable powers. Others are just a little eerie. Either way, Olympia prides itself in its generosity and their grand displays, and so refugees are urged to learn more about their artifacts by spending the night in Palace Court. Though, someone should probably mention that there are rumors of strange, almost occult things happening around these relics at night. People speak of armored soldiers casting shadows that have the ability to walk on their own, or gemstones that catch the moonlight in a certain way and show you visions. But those are just silly ghost stories, right? TALL TALES OF KHALO VILLAGE
Because of Khalo's proximity to Wyver, it's no surprise that they would catch wind of the peace talks between Wyver and Olympia. In response, for the first time in centuries, Khalo Village has willingly granted passage to outsiders — but visitors will immediately find out that one cannot just simply walk into the village. Visitors will need to inhale the smoke of a fyrra herb in order to enter the premises without falling into slumber.
Khalo is notably different than what refugees are used to. Visitors, specifically refugees, will find that they are exceedingly accommodating. The Khali are very intrigued by the outsiders, thus they're treated with much respect and given instant access to some of the best lounges and fyrra the village has to offer. In exchange, the village is interested in hearing about your journey thus far. Whether it be through a conversation with another individual or the Khali themselves, they'll very likely to have been eavesdropping and recording the tales of their exploits. Why, exactly? ![]() Perhaps it will not be immediately clear, but if you happened upon a venasou, a tamed Khali creature, it may have guided you to their Enchanted Library. Upon entering the library, visitors will notice that it is quite the happening place — but not because it's occupied by the Khali, but because there seems to be an assembly of magical quills seemingly writing on their own. The quills are mostly undisturbed by the intrusion and will not stop writing even if parchment is taken from it; it will simply produce another piece of paper and continue its tales. If you happen to read the parchment, you may notice that there is a daunting similarity between your story and the ones being written here. Tales of Thesa birthing new races and sending them from the sky, for example, are very popular in Khalo Village. They mark July 15th as the day in which the Moon Goddess, Thesa, created more people in her image and brought them to El Nysa as saviors. The coincidences don't end there: specifics about your home world might be found in the writings if you search deeply enough — but it's not without its exaggerations. These stories are given all sorts of poetic and literary forms, from short stories to limericks, biographies to something similar to haiku. If asked, the Khali will inform visitors that the enchanted library has access to vague parts of your memories, and thus it is duty-bound to record. The Khali have not seen stories as strange as the ones being made by refugees, which is largely why they are interested in them. NOTE: This is entirely optional! You may make up your own "stories" While tales of the Thesa's descendants are still being written, visitors of the Enchanted Library might find intrigue in the more complete works — It seems to end there. Refugees are naturally allowed to question the natives. However, keep in mind that many of their replies will seem more like speculation than fact. But maybe that can be fun too? If you have no interest in the library and the tales they've woven, feel free to explore any of the other areas of interest. Khalo Village is thrilled to be open for you all. THOSE THAT SEEK PEACE, AND THOSE THAT SEEK -- ![]() The morning of the 20th is marked by fairly dismal weather. The sky is overcast and a downpour seems imminent. Regardless of the poor forecast, those who signed up to assist in this mission will be required to come early in order to receive their briefing.
Due to the rain, members of Group A will have to immediately stop by the checkpoint at the East Watchtower. Additionally, the Royal Guard and Knightryders are well-prepared with extra cloaks for those who may require it. They also will provide basic refreshments such as water and bread. People are encouraged to take what they need prior to their departure on this mission. The checkpoints are a bit far between, after all. Members of the envoy will also be encouraged to utilize this time to become familiar with one another. Maybe some introductions are in order? You never know who will end up having your back... For both groups, the paths will be relatively straightforward with evenly spaced checkpoints along the way. The only issue seems to be the downpour, really. The rain is unforgiving and the roads easily become unstable and increasingly difficult for the carriage to be drawn through. Hence, there may be more than one occasion where you will be expected to lend a hand in prying out its wheels from a particularly pesky (and muddy) pothole. Or perhaps you will be called upon by a fellow guard to assist in getting a particularly stubborn creature out of the path ahead of you. Seems like it may be a longer journey than you expected. Dirtier, too. While weathering the conditions may have been a bit tiring, this journey isn't too bad, right? Well, maybe not. NOTE: Those RNG'd to thread out the capture and questioning of the bandits will have starters below. For everyone else that signed up, you will still have the opportunity to capture the assailants even though they were not selected to thread the interrogation; you are free to make up your NPCs with the same basic guideline: they will not reveal their motive or their organization. You may turn them in to authorities (Wyver or Olympia or otherwise) or find creative ways to get rid of them. FINAL OOC NOTE
To reiterate: you may use this log as a general mingle for everything from the May Outline, including all Khalo Village activities. In other words, your top-levels don't necessarily have to be related to the prompts written here.
An AC-eligible thread in which your character participates in anything mentioned in the May Outline and/or Khalo Village location page may be submitted for 2 REP POINT FOR EITHER OLYMPIA OR WYVER. SUBMIT THE THREAD FOR OLYMPIA OR WYVER HERE OR HERE RESPECTIVELY BY June 10th 11:59 PM EST. For those who participated in this month's plot-related portion, to receive IC recognition for it, a summary of the thread must be submitted HERE by June 8th 11:59 PM EST. Please direct all queries to the question thread below. Thank you, and have fun!
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no subject
It’s nice. Looks almost real.
[He glances down at the colors.]
Hmm. Maybe. But there’s nothing saying it has to be an exact copy, right? Unless you’re doing some kind of study.
no subject
[no one would expect a perfect rendering, of course - certainly not with field watercolours of all things. But perhaps for what he can do, Linneus can be a little bit of a perfectionist.
But, juggling his watercolours and his sketchbook in his lap, he shifts up his things - a roll with few brushes and a pencil whittled to a point, two small bottles of water. One with an eye dropper for diluting paint, one for washing brushes - neither for drinking, but there is drinking water in the pack near his feet.]
Come, sit.
no subject
[Chuuya settles next to Linneus, still studying all the different colors he’s mixed up. There are some really pretty shades here, ones that would look great painted on the walls in the mansion.]
Did you just get here? Or have you had a chance to explore the city a bit?
no subject
[a light chuckle, closing up his paints and setting his book down open. The page will need to dry a little longer, where he was testing]
It’s very beautiful here, though - not just the forests but the village as well. The tree-houses are like something from a fairytale.
[he sketched those, too. He won’t mind Chuuya leafing through so long as he is careful of the wet paint.]
no subject
[As in, turned him tinier than he already is. It was hilarious. To everyone but him.]
It is. We didn’t have anything like this back in Yokohama. Other places in Japan sure, but not in the city.
[Chuuya takes the liberty of looking through the sketchbook, impressed at the quality of the artwork.]
Have you ever tried drawing or painting someone?
no subject
[a little hum as Chuuya mentions home; he has heard of this Japan, if only from others.]
A little. I’m not so practised in those...
[and the practice he has had hasn’t been in that book. The one he has brought with him is purely for his studies of plants, notes in a flowing, looped hand, a few landscapes and sketches of clusters thrown in to better show how the plants grow together]
Were there no gardens in your ‘Japan’?
no subject
[It really is a neat collection of sketches, and Chuuya’s eyes dance over every page with a sense of wonder.]
There were. Just not where I lived. The city was all high-rise buildings and concrete surrounded by ocean. There were little parks and stuff here and there, but my job didn’t allow a ton of leisure time to explore nature. That’s part of why I had to come here and look around. Olympia is nice, but there’s nothing like this there.
no subject
[and at least he was aware there was a problem... though the flora has proved to be almost as psychedelic as he thought it was]
Mmm. It is less... tamed in the south; I thought so the first time I visited Wyver’s forests. [there are sketches from Wyver as well - the three places very distinct in his sketches between colour and maintenance.] Of course one has to be careful as well - if one hasn’t done their reading they could easily touch or step on something that might hurt them...
[that’s partly why he is filling his sketchbook. Perhaps it might be useful later...?]
no subject
[Chuuya flips through the book to the illustrations of the plantlife in Wyver, and from the looks of things it really is as wild and untamed as people say it is.]
I’ve only visited Wyver once, and I was in a bar most of the time.
[Of course he was.]
Oh yeah, I stepped on a mushroom that turned me tiny on the way here. Luckily someone found me and dropped me off in the village so they could cure me. I was like, thimble sized.
no subject
[Linneus knows there are bars in Wyver, and Olympia too. But of course he hasn't ventured into them himself...]
A number of the establishments here seem devoted to smoking their herb, I have noticed.
[an observation - there's nothing wrong with the smoking, in pipes or otherwise, but it was not... precisely a social activity, where Linneus came from. One simply rolled and smoked as they liked, where they liked.]
The size of a thimble? [mimicking with a pinch of his fingers] That must have been an adventure, but it's a miracle you were found before you were stepped on!
no subject
[Like serving as an aphrodesiac. He’d hate for Linneus to go into the village uninformed, so he might as well warn him about it, if he didn’t already know.
Chuuya crosses his arms with a huff.]
Yeah. Luckily someone passed by and took me back.
[Speaking of being tiny...]
You know, you’re one of the only people who hasn’t made a short joke in my presence.
no subject
[certainly more comfortable than a rest area at the side of a footpath, anyway. It's good that they both had people to help them, though, when they fell into trouble.
a curious little tilt of his head]
Why would I...?
[People are made the way they are made. A little amusement is one thing, but it's only fools who point and laugh.]
no subject
[Linneus isn’t the type of person to poke fun though, and for that Chuuya is grateful.]
So what is it that you wanted to see the most in the village?
[Chuuya is pretty sure that Linneus didn’t come here for the fyrra.]
Have you been to the taming fields yet?
no subject
[he would rather not think of it that way, but Olympia and Wyver are not always open for each other. Khalo doesn't have to be, either.]
I have not yet, no, but it is on my list. Have you been?
no subject
[Chuuya nods. He’s taken a little trip there with Atsushi.]
Yeah. The Mossleys were really something. Apparently they’re drawn to people who share a strong bond.
no subject
Mossleys. I've heard of them; I should like to see one, too. They say they are very gentle, for their size - is it true that flowers grow from their horns...?
[how fantastical, if they do...!]
no subject
[Chuuya reaches up to remove his hat and reveals a small, pink flower resting atop his head. It was the only convenient place to store it, after all.
He takes it in hand, very gently, and lets Linneus take a look.]
They enjoy having them picked. Guess it doesn’t hurt them, because it licked me after.
no subject
How marvellous...! I suppose if their name is anything to go by they must just grow. Is it a nuisance to them, I wonder...?
[hesitantly, reaching for his roll of pencils and brushes]
...may I? It will only take a moment, I promise...
no subject
Not sure.
[Oh! Linneus wants to draw the flower? Chuuya is perfectly fine with that.]
Yeah, sure. Go for it.
[He holds it out for Linneus to study.]
I dunno if I ever asked what kind of plants you like best. Just curious.
no subject
a light hum as he sketches in little feathery strokes - though the flower takes shape under his pencil, coming to life with a little watercolour]
Mmm? I favour roses - my house used to grow them...
[but then there are some that have a bittersweet association; like the jasmine that used to grow in the gardens. Small shrubs, even smaller and more delicate flowers, and yet the scent would always carry up even to the rooftops, when he and Xanthe used to stargaze together.
Stroking his brush across one of the pans and applying a touch of detail to the petals tips-]
Freesias and lilies are lovely as well - lavender too - for scent...
no subject
Roses are nice.
[Chuuya never cared much about flowers back home, but roses have always held a certain appeal. They smell nice, too.
He watches with interest as Linneus sketches the flower, the pop of color from the paints making it come alive on the page. It’s definitely impressive what the guy can do with art supplies.]
Those all smell pretty good. I have a friend that makes perfumes, actually.
no subject
[hard to do, without decimating the Teahouse's rose bushes. But the scent has always clung to him, somehow - or so he has been told. A couple of finishing touches; a little note in pen - fountain pen - to identify the bloom as a “Mossley Flower” before setting the page aside to dry.]
What manner of perfumes? Is this Reign's establishment...?
no subject
[It really is a beautiful drawing, and Chuuya is glad to have contributed to it.]
One of scents - “Wildfire” - was inspired by me.
[He’s actually not bragging, just stating a fact.]
I think it fits me pretty well. The scent and the name.
no subject
[of course, they may actually have a better home with Reign. Linneus does't often wear scent]
I shall have to sample it in person, then!
no subject
[If he hasn’t already. Reign seemed pretty excited to make all kinds of new scents.
Chuuya’s expression softens as he studies the flower in his hands.]
Never thought I’d care about perfume. Or animals. Or flowers. Or anything but fighting and drinking and fucking. Can’t say I’m too pissed off about being proven wrong.
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