Entry tags:
- *event,
- ace attorney: miles edgeworth,
- arrow: felicity smoak,
- cardfight!! vanguard: ren suzugamori,
- covert affairs: annie walker,
- critical role: caleb widogast,
- critical role: mollymauk tealeaf,
- critical role: nott,
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- ffxv: ignis scientia,
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- got: loras tyrell,
- gundam: duo maxwell,
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- kingdom hearts: axel,
- kingdom hearts: kairi,
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- love live: yoshiko tsushima,
- marvel 616: bucky barnes,
- marvel 616: natasha romanoff,
- mcu: bucky barnes,
- mcu: rocket raccoon,
- mcu: steve rogers,
- one piece: trafalgar law,
- outlander: brianna randall,
- outlander: claire fraser,
- overwatch: jack morrison (soldier 76),
- penumbra podcast: juno steel,
- penumbra podcast: peter nureyev,
- punisher: frank castle,
- saiyuki: genjo sanzo,
- star trek: james t. kirk,
- star trek: kathryn janeway,
- star wars: luke skywalker,
- star wars: padme amidala,
- stargate: john sheppard,
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- tasm: peter parker,
- the 100: emori,
- the 100: john murphy,
- the punisher: frank castle,
- torchwood: ianto jones,
- torchwood: jack harkness,
- voltron: allura
❪ event ❫ spirited away
PRELUDE Entry to the forest is not only overgrown with vegetation, but seems to be growing at an increasingly alarming rate. Any attempts to clear the vines will be met with even larger ones growing in its place, and it only confirms Nurray's findings as true. The only way in is across the sound from Nadril, entering the forest from its snowy back yard. It doesn't stay cold for long; as one ventures further into the forest, the snow will disappear, as though it was completely out of place in the first place. The red sun's warmth will take its place soon after— and before long, you'll feel too warm for the clothes you came with. That's when you know you've entered the heart of Josa Forest. WITHIN THE FOREST ![]() The forest seems to be thick with a profound presence that can’t be ascertained. While venturing through it, one will feel like there are being watched or followed. This feeling will only intensify as metallic-scented drops of rain begin to fall between the clearings in the trees. Unfortunately, what many don’t realize at this point is that this is how the forest itself eats. How it subsists and lives through the minds of those who eventually get lost in it. Wandering this far in is akin to walking into a lion’s jaw, or rather… straight to its stomach. But, the forest has a way of making one stay. While it swallows someone up, it shows them sinfully beautiful and picturesque sights. Even showing them people or things that are familiar to the lost. All of which will urge them to go in deeper and deeper. But, while the forest begins to prey on the mind of their victim— they will suddenly hear an elegant and alluring voice urging them back. This voice promises them comfort and safety. Promises to be kind and open. Promises she has a place for them where they will never feel displaced or unwanted, or lost. Before they can fully accept, they will find that they are whisked away in Barthala’s embrace. Some will be taken, wiped of all their previous memories and inserted new ones. Others will find they have no prior memories at all of themselves, only urged to go on with regular life. What is prevalent is the forest's desire to turn you. Metamorphosis is a phenomenon that occurs only to certain individuals, and there is no rhyme or reason to them. Some adventurers would find themselves changing by the minute, the hour, or the process may even take days and weeks. The forest toys with you, but it only wants to draw you closer to its core — as though there's a story there it wants you to see and understand. Will you go on anyway, knowing the forest has already has its claws on you? I. ALL ROADS LEAD TO — YOUR NEW (NEW) LIFE ![]() Adapting to an entirely new setting isn’t always so simple. People often say that assimilating oneself to the environment happens fluidly, and before you know it, you’re a part of it. In Dranbu, these words hold an uncanny sense of truth. When you awake, your day begins like it always has. Your daily routine meets largely unchanged, except a few tinier details. Perhaps, you’ve realized your true calling is an occupation within the villages itself. Maybe in farming up strange medical herbs, maybe in acting as a witch doctor for the people, or maybe you find yourself drawn to the arts and you really enjoy sculpting fellow villagers in the nude. Once you commit these tasks, you realize, it feels like what you’ve always done. As if it were natural, as if you’ve done them for years, and maybe you have? At least that’s what your gut is telling you, and slowly your memories will too. At the end of the day, when you return home, you realize you’re not alone. You have a partner who shares the same values and whom you love deeply. Or maybe a spouse whom you’re always arguing with. But, even that will feel as commonplace as the rest of your day. All you know is that the day that might have started off not being yours is entirely yours and yours alone. IV. THE HUNT — THE BOUNDARIES BEYOND ![]() For some, placated is synonymous with bored. While there is a sense of wonder in the beauties of nature that adorn the woods, serene forest life isn't for everyone. Those seeking more adventure can explore the challenging slopes of Waco Mountain. Barthala's influence is weaker on those bluffs than in Josa Forest itself, so thrill chasers won't be disappointed. Lose the path, slip on loose rocks, fall into a stream and spend a night wet and cold, there are many perils that come with traveling a mountain-side. Scattered ruins offer some shelter, their walls carved with images resembling Barthala, a dragon, and three other stranger creatures. While the deity's pacification does not flow as deeply through this region, all are still save from mortal wounds, and the veil cast over their memories will not lessen. If you have made it this far, however, there is no reason to try to return to the main city of Dranbu. Accommodations are always available in the neighboring villages: Phares in the north, and Stroln in the south. These villages are in friendly competition with one another, and will tempt travelers with women and men of their kind in order to draw in business to their hotels. FINAL OOC NOTES
No REP is available for this log. REP will now be primarily available through achieving NPC quests, which will be available on the 19th! Please keep an eye out for that!
Dranbu is entirely available for exploration! You may find that most of Wyver and Olympia Flora/Fauna may be found in the forest as well. For more information on your characters' (opt-in) Metamorphosis, please refer to the November Outline!
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Oh, absolutely. It's been a long walk. I think we all need a moment to just... relax.
[The word comes out a little stilted, like he meant to say something else and it caught in his throat so he said the next possible word. His pink-flushed cheeks deepen further and his eyes trail from Peter's face down to his chest before he slips them back to the sky peeking above the treeline, casting leafy shadows on his scar-marked and tattooed skin. He's unapologetic for the staring, but staring too long feels like tilting your head to look down a well. You just feel like after a certain point you're going to accidentally tumble in, and what happens next is anyone's guess.]
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...Hm. Well. That's an urge that isn't necessarily surprising to him. Except in its sudden strength.
Still. Of all the possible urges, this one is less objectionable.]
A little relaxation sounds just right.
[...Which is where this forest does make Peter faintly antsy. Not that he would ever admit it. Still, it's in the back of his mind.
The back, currently. Molly is in the forefront. He makes his way closer, abandoning his jacket nearby to lay down in the grass next to the tiefling on his back. It's cool against his skin and provides a temporary stop-gap for the way it tingles. Peter lets out a low, pleased hum, and then turns on his side to look over at Molly with a smile.]
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A little rude for the forest to slip him something without him having asked for it, but maybe he did in his own way. He has been feeling a bit too melancholy about the situation at hand. He could use this. He could use, dare he say it, more than this.
Idly, he pulls up one lanky leg and uses the toe of his left boot to start working the right boot off. It draws attention to the cut of his pants, the lean dancer's legs. If he's doing it on purpose, there's no indication on his serene, contented face.
He's testing the waters a bit. Molly does many things, but he doesn't chase and he doesn't pursue. He invites interest and always says yes when people decide they want to open those doors. There's a significant difference in being open to indulging and chasing down every warm body. He likes emotional connections, even with strangers, and he doesn't like using people.
He doesn't particularly like being used either, but that's kind of inevitable when you're always willing to say yes. Tieflings are exotic and curious things. A lot of people have gotten into his space claiming they've never fucked one and they'd like to try. It's always been fun, so it's not as if he minds that much.
Peter's probably one of the two types- genuine interest or curiosity- and the way this forest is affecting him means it's probably mutual. He'll figure out which in a moment.
For now, the boots have got to go. Once he works the first one off, he wiggles his bare toes and starts trying to push the other off, with marginally more difficulty. Bare feet are difficult to get traction with.]
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Depending on whether you trust Juno as an objective narrator.He does, of course, end up looking at the way Molly's legs stretch up. It's more curiosity than outright hunger but there is a certain heaviness that starts to settle in the pit of his stomach.]
Do you need a hand with that?
[Getting the second boot off, he means. His voice is still low and easy, though there might be a blooming tightness behind it. A tinge.
It is, for the record, a very even mix between genuine interest and curiosity. Peter is also...well, not the kind to often pursue. It usually takes a bit. Or a genuinely fascinating person. Molly is very interesting, but he hasn't absolutely felt the need to act on his vague feelings of attraction yet.
Until now.]
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Playing dumb is cute and all, but it doesn't answer a question hanging in the air. The nihilistic Moonweaver oath of does any of it matter, just do what you want and don't be a fanatic about it hangs over his head like approval for a goddess who can't reach him. That's the answer, really. Follow the road and see where it leads.
He drops his bare foot onto the grass and digs his toes in. The other is bent upwards, his knee pointing skyward. He extends it a bit, balancing it just enough that Peter can get his hands around the base and pull.]
Knee-high boots. Good for keeping everything clean, but a royal arsehole to get off when you need to keep your hands elsewhere. [In particular, behind his head.]
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[Peter is happy where he is in the grass, but since he offered, he pushes back up so that he's kneeling beside Molly. One hand curls over the top lightly. The other does not immediately find its way around the heel of the boot.
Instead, he draws it down the back of Molly's leg. Starting around his calf and slowly - but not quite teasingly - trailing down. If he was asked, he could perhaps say that he was just appreciating the leather.
Really, he's testing the water. Judging reactions, looking for approval or disapproval.]
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Molly is not in the least bit puzzled by these actions. He'd be more surprised if it didn't come to that. He's arrogant enough to expect everyone to want him, and kind enough to not make any sudden moves on those assumptions. He pushes himself up onto his elbows and cants his head slightly. A sly grin spreads across his face, the corner of it nearly reaching the peacock feathers curling across his cheek.]
Oh no, please. Don't let me stop you. I'm interested. [Even if he wasn't a naturally curious person, the pollen in the air is making it hard to think clearly beyond boot is a barrier to physical contact- remove boot. His mouth is dry and just observing this has made him forget that he just wanted to lie down and maybe do a little bit of self-exploration in a fucking picturesque glade. Self-exploration? Really? When there's a person right here?]
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He could make that slow too, but something about that grin makes the heaviness in the pit of his stomach into warmth and he finds himself feeling a bit more rushed than normal. The boot isn't tugged off with haste, but it comes off more quickly than it otherwise might.
Once it's removed, Peter sets it aside and stares down at Molly for a few moments. Probably before he even has time to lower his leg, though, he'll find that he suddenly has a thief straddling his hips. Peter moves fluidly and quickly to accomplish this.]
Your skin makes such a remarkable canvass. [The scars and the tattoos alike.] Do you mind if I touch you?
[In for a penny, in for a pound. But for all that he didn't ask before he took it a little further, he will get consent to do this first. He's not that desperate.]
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So here he is, definitely hard, definitely not giving one shit that he is because gods, one leg is bent upwards, just barely scraping the edge of Peter's back while his toes and fingers dig into the grass. And he's being asked for permission to touch him. Molly barks a laugh, in spite of himself, and that puts any illusions about anything out to pasture.]
That is a question you never have to ask. [Gods know he never does... well, within reason, anyway. He doesn't just go around groping people like an asshole, but personal space invasion and hugs and kisses are just part of the Molly Experience. And just in case that wasn't clear enough, he adds, a bit breathy:] Yes.
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[A thief with an appreciation for consent is perhaps a strange thing but there it is. Peter often takes what isn't his to take but he isn't in the habit of taking things from those it'll truly hurt.
...Well. Most of the time. It...depends.
In any event. Molly certainly isn't someone he'll readily take what he shouldn't from. There may come a day where that ceases to be the case. When the stakes are high enough. Not today, not now.]
But I'm glad to hear it.
[He contemplates Molly for a few moments longer, taking it all in. He is - unfortunately for Molly's attempts to minimize it - distinctly aware of the fact that he's aroused. Peter is very perceptive. But perhaps it's a solace that Peter, too, is somewhat obviously turned on already. His pants are on the tight side, and there's something of a bulge at the front now.
With a faint smile and with permission granted, he reaches down and runs his fingers up the sides of Molly's body. They come to rest against his ribcage as Peter uses his thumbs to explore the patterns of scars across his chest. It's not quite reverent, but it's surprisingly soft.]
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It's with this scarred up, tattoo-free hand that he reaches up and clasps Peter by the wrist, running a thumb gently up and down the sensitive areas where the nerves are clumped together, dragging gently along the heel of the palm, and then back again. Just simple touch is all. He appreciates that for all that there's a buzzing in the air and the aching need is agonizing with every touch that doesn't offer relief, there's still room for exploration and feeling each other out. Sex and intimacy are emotional, loving things. Molly can no more fling off his clothes and go straight into meaningless passion than a displacer beast can decide to take up tap dancing. It just doesn't work. It removes all the godsdamned fun of it. Even if it means feeling his stomach doing contortions worthy of Mona and Yuli, he keeps his focus entirely on the intimacy part of it, not the cold, impassive fucking part.]
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But this is personal and there's no need to make it more perfunctory than it needs to be. Even with the urge for now and more. It feels much more right to take as much time as he possibly can before they inevitably fall too much under the forest's spell.
And it is, of course, much more enjoyable. You feel more. Like the way that Peter's breath stutters as Molly skates a thumb up and down the inside of his wrist and onto his palm. It's partially the plain sensation of it and partially the fact that it brings back memories. Memories of not so long ago, when he was unsteady and untethered in the wake of a ghostly possession. Of Juno - bloody and battered from Peter's own hands - offering him a grounding touch in just that way.
He closes eyes - not against it, but with it - for a few moments as his fingers continue to map out scars. And then, impulsively, he stretches himself along Molly's body to steal a warm kiss.]
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He utilizes his flexibility to his advantage, bending his spine just a bit upwards into the kiss and drawing his thigh up between Peter's legs to rub just a bit of friction against him. It feels like an afterthought, something that happened subconsciously, but the way Molly breaks the kiss to grin wickedly says everything. He knows what he's doing. Affection does not preclude a little bit of teasing.
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Peter is balanced above Molly, his hands stilled for the time being as he uses them to keep from tipping over and likely giving them both concussions. As soon as that thigh had come up, he'd inhaled sharply. The sensation had been more than he expected and he'd found himself pushing against it, seeking more with a...faintly embarrassing insistence.
It takes him a moment to reel himself in, and no doubt it has absolutely contributed to the way that Molly's now looking at him like he's the cat who's got into the cream.
After a moment, Peter chuckles...even as he leans back down. Not to kiss Molly again, but to nip down along his collar bone. Sharp little bites, too, that don't break the skin but do employ his inhumanly sharp canines.]
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He pulls his fingers away from Peter's head with much trepidation but musses his hair as he slides away, stretching his arms over his head so he can arch his back just a little bit more, still grinding his knee against Peter's groin in time with the kisses, while his stomach quivers in anticipation, and he eventually has to just throw off his shirt completely, and return his hands to Peter's hair to gently guide him down to the other scars, the nicks that look like awkwardly placed hatchmarks on a madman's prison alongside larger, more puckered wounds from arrows and tridents. Down, down...]
aaaah i must have accidentally deleted this tag from my inbox...
It means spending time on each of those scars, tracing them with his tongue and brushing his lips against them. He is methodical about it, in fact. Each and every slash, while his breath blooms against Molly's skin in warm bursts.]
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He sucks on his bottom lip, letting the taste linger, letting him sink into that instead of craving the taste of that mouth on his or more- always more. That tongue is not the only thing he's aching to taste.
His hands move from guiding to settle on Peter's shoulders, pads of his fingers resting on the back of his neck, while his long fingernails drag through the soft hair.] They've all got stories. [Most of them lies. The words catch in his throat and he swallows hard, the blood acting as a chaser.] You've got your mouth on a lot of history.
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Enjoy it. A little. It's just part of his nature, to enjoy being difficult. To be a little bit unexpected and to force people to deal with him. They're very well matched that way. No doubt it's the reason he likes being in Molly's company as much as he does.
Listening to Molly's voice and the catch in it, Peter smiles, lips stretching against the skin below them. If he were a cat, he'd be purring at the way Molly's nails whisper through his hair.]
Tell me one.
[His voice is low, husky. He doesn't stop his careful investigation, and he shifts his focus a little from the smaller scars to one of the more impressive ones. Very, very gently he nips at it, and then sets to kissing it.]
This one, tell me the story of this one.
[It doesn't matter if it's true or false. He wants to hear Molly talk.]
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Trident. [Molly sticks his tongue out slightly, relishing the feel of teeth on scars for no reason other than delight that yes, that's mine, and you can do whatever you like with it. He could lie, but the truth is grander and a bit funnier in a way, and he can't resist being clever.] There's another one on my back... Truth be told, getting stabbed in the back and the front at the same time generally goes much better than that for me. And fish persons don't respect safe words at all. Just a note.
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So. Without actually parting lips from skin - hey, he's flexible too - Peter manages to shift himself so that he's kneeling between Molly's legs instead of straddling him. It takes some maneuvering, but it also makes it so that he can slip one of his hands in between the grass and Molly's body. His fingers quest to find the scars in question. And if he runs his fingers a bit along Molly's spine in the process?
Well. He can't see, he's just mapping by touch.
The little joke gets an obliging bit of laughter, though.]
I'll keep that in mind, should it ever become relevant.
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He shouldn't be nearly this overwhelmed right now. He feels starved and needy, like he hasn't been touched in ages, which simply isn't true. He has. But not here. Not in this magical, magical place with the scent of flowers and sweet forest air and that pollen that he knows is responsible for this heat inside of him, but he can't be bothered, because gods he needed this.]
Are you memorizing them? [It's a gentle jab- flirtatious, more than anything.]
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[Peter almost sounds serious, but then he lifts his head just enough to flash a self-satisfied grin at Molly.]
In deference to their history, of course.
[You can sure as hell bet that he is tracing that lovely arch of spine all the way down. Molly is, after all, being so obliging as to show it off. It would be rude not to take the invitation.
Besides, he's curious about the tail. As he kisses another scar just a little further down, his fingers gently brush up against side of it before he strokes up with his palm.]
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Just don't pull that. Mmph. [His fingers knead into Peter's scalp a bit.] It's a bit sensitive. Take that as you like. Curiosity is always rewarded here. [Even when the pace is agonizing. There's a fire in his stomach and his skin feels even more preternaturally warm than it normally is.]
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[Is he lightly going to scratch his nails against the base though? Definitely. It's delicate to begin with, barely a whisper of pressure.
Meanwhile, it's lucky for Molly that Peter isn't entirely unaffected by all of this. As much as he enjoys teasing, the pollen has him in its grasp too. The way that Molly's fingers knead his scalp has him shivering. Perhaps he does want more than Molly's skin and scars against his lips. Or, rather...still skin. A different area.
Without more discussion, he begins to trail his lips down a little more quickly. Still kissing and licking as he goes, just...not as agonizingly slow.]
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I don't know about you, but I think there might be something wrong with this forest.
[He sounds unbothered, but he's also breathless with anticipation and that seems to be overriding all other emotion. By the time Peter has gotten to his hips, he's shifted his legs to pin him in on either side with slightly bent knees, expectantly.] Or very right. Hard to tell the difference from this angle.
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