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( introlog #5 ) strangerer things
You have spent the last few days on Thesa Station, taking in the knowledge that your world is no more. Perhaps you've made some friends (or maybe an enemy or two). Either way, you aren't expected to spend all of your time on the Station. El Nysa needs you, after all, and you promised you'd help the planet thrive. Are you ready?
Submit an AC-eligible thread with a new character as a participant for 2 OLYMPIA REP POINTS OR 2 WYVER REP POINTS, respectively, HERE or HERE. THESA STATION
All refugees on the station are called to the hangar where a large-scale teleporter has been set up; everyone will be sent to the planet together. Simply step onto the space between the arrays and wait. Before they depart, all new refugees will be given a starter kit!
You may have heard about earlier technical difficulties, but don't worry. I promise everything is in perfect working order this time. I'd say I tested it myself, but since that's not exactly possible, you'll just have to trust me! (Please.) The older refugees will also be there to guide you to ensure no one is left confused... or behind. Make sure you wait for them — I've been detecting something odd so I'll be having them meet you at the landing site. Good luck, refugees! Not that you'll be needing it or anything... The arrays begin to hum and glow, quickly building into a brilliant wash of light. It creates a column that travels all the way from Thesa Station to the surface of El Nysa. With the night sky as a canvas, the beam can be seen all the way from Olympia and Wyver — a view that has the natives whispering of blessings. As a sudden but beautiful aurora splays across the sky, the refugees down on the planet receive a message asking them to travel to the landing site — and warning them to prepare for what may come of the strange readings Zasere's gotten from the teleport itself. ON A BEAM OF LIGHT ![]()
Traveling through the light leaves the impression of blinding starlight, a strange sense of weightlessness, and a disorienting moment of total sensory deprivation. The radiance of your teleport hangs bright in the sky above you, a shimmering aurora that reflects off the calm waters below, visible for miles all around.
You've landed on a peninsula to the east of the South Outpost. There's little here — scattered trees on spring-barren plains, with a few overgrown, dilapidated structures poking out of the brush. All is quiet save for the keening of animals and the gentle lapping of waves against the shore. This lonely desolation is hardly the bustling cities and vibrant cultures you were promised back on the station... BY CAMPFIRE'S GLOW. But waiting for you is a group of your predecessors, and with them, a veritable tent city, with portable stoves, coolers of food and drink, comfortable bedrolls, and cheerful rings of bonfires — all that you need to make merry of the night, courtesy of Overseer Voss, who has, thanks to his interest in blessed meteorological phenomena and refugees, decided to make a holy expedition of the affair. CLOSE ENCOUNTERS ![]()
Despite going off without hitch, the new refugees' arrival isn't entirely without incident. It seems that the "blessed" beam of light that brought the refugees down to El Nysa brought something else along with it — a sliver of the Storm. At least the beam was short enough that only a small fraction managed to squeeze through.
But it's enough to wreak a little havoc around the landing site and along the road back toward Olympia and Wyver — and even, for a few days, in the cities themselves. THE TRUTH IS OUT THERE. The Storm is an undeniably destructive force, and that's proven with this small sliver's effect as it ripples across the continent. While there's no visible sign of its presence, strange phenomena soon begin to appear, corresponding with Zasere's odd readings. DECISIONS, DECISIONS... ![]()
The time is coming to make a choice — perhaps not a permanent choice, but unless you want to spend the rest of your nights out under the stars, you'll need to pick which city you will initially spend your time in. On the horizon, you will see that people have arrived to help you make that decision...
A FORK IN THE ROAD. Refugees and the hyper-religious wishing to hear Voss speak are not the only ones out and about under the light of the aurora. Citizens of both Olympia and Wyver have flocked to a point on the road midway between the cities and where the refugees have appeared, and they all have the same goal in mind: convincing the newcomers who have just descended in the blessed light of Thesa to come to their city and not the other.You've chosen your path, refugee, but that doesn't necessarily make it a permanent one. Watch out for the strange effects of the Storm, which linger still in the two cities and everywhere in between for the next few days before dissipating just as mysteriously as they came, but otherwise enjoy the welcome and make yourself at home — after all, this is home now. FINAL OOC NOTES
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cr forgetting!!
And then he sees her there. So he takes a breath, and pushes what he's seeing aside, and arranges his features in an expression of confusion. ]
Where are we? Is this the - What is this? I don't get it.
[ Hoping - hoping - to spare her heart the humiliation and horror of knowing that he's seen this. To make it seem like he simply doesn't comprehend what's going on. ]
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but she thinks he must know that it's her. he's good with people.
which means he's giving her an out. which means he pities her. bad enough that he's seen this, that he's still seeing this. she turns away from the sight before them, khlyen telling her younger self to divorce herself from her pain, from her fear. to never ask why. to kill because she has to. his tone is honey and silk over steel.
there's a bitter taste in her mouth when dutch lets herself take the pity and the out. ] Yeah, no idea, but it's weird as hells.
[ her younger self manages to slip from the bonds by dislocating her own shoulders. it's something dutch has done too many times since. ]
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But there's nothing he can do. He reminds himself of that. This isn't a real child, and even if it were, he couldn't affect a damned thing. ]
Shall we go?
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the only one who's ever tried to protect her is d'avin and he's been through enough shit on his own. she doesn't want him fighting her battles. can't have him fighting her battles. (here's a truth: khlyen teaching her how to kill, khlyen teaching her how to be hard and cold and cruel and emotionless, khlyen breaking her? that had been khlyen protecting her from what was to come.)
this isn't a battle anyone can win, anyway — but what a world of a difference it would have made to little yalena yardeen to understand that khlyen's ways were not good parenting. ]
See an exit around? [ because dutch doesn't — or she does, but it's just the exit to the room and she can see her old bedroom beyond it. ] I could sure do with a drink right now.
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[ There's something repugnant about turning his back on a weeping girl. His muscles are stiff, his gait unnatural, as he turns towards the bedroom. His hands are shoved firmly into his pockets to keep them from going for the gun in its holster. ]
Can't hurt to explore, right?
[ It can, actually. Moving from room to room has taken him to places he didn't want to go - and led others to places he didn't want them to be. But if the cost of getting her away from this echo of cruelty is letting her see a memory of his, or taking him to a different memory of hers, that's damned fine by him. ]
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[ if she sounds a little more bitter, more negative and less inclined to be adventurous than usual, well. who can blame her, really? she hates how obvious it is that byerly isn't unaffected. how obvious it is to someone else that what happened in her childhood wasn't normal.
how it hadn't been obvious to her at all until she'd met johnny.
she follows him toward the bedroom, though, and if there's a knife in one of her hands that wasn't there a moment before, byerly already knew she's dangerous. ]
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Byerly's eyes go narrow, and he turns to look at Dutch. It's clear from his face that he recognizes this place.
A boy crashes through the greenery. He's very small, and quite slender, and pants and wheezes in a way that sounds rather asthmatic. No mistaking those eyes, though, beautiful and long-lashed even then.
He's running from something. He stumbles to a halt before an old willow with thick leaf cover, and looks up at it with terrified eyes - with a shudder, gathers his courage and starts to climb - and then stops a single branch above the ground, shaking. Poor little coward is more afraid of heights than he is of whatever is chasing him. ]
Ah. Yes.
[ Byerly murmurs that quietly to himself. ]
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What's coming? [ she asks, sharply. whatever out he'd given her, dutch isn't kind enough to offer him the same. ]
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A walking, talking piece of shit.
[ And here that piece of shit comes. It's a tall boy, probably seven years' Byerly's senior, obviously a relative - those lovely dark eyes are evidently a trait common to his clan. He's athletic and lean and muscular, confident, loping easily along - making half as much noise as By had even though he easily weighs twice as much. He grins as he spots By, and comes and grabs the branch he's standing on and shakes it till By falls to the ground. And Byerly doesn't try to run again - instead, he curls into a defensive ball, yanking in all his limbs and tucking in his head, eyes squeezed shut.
"Give me your arm, By." Richars' voice is low and warm, but there's just a little bit too much quickness to his breath. That's the sort of excitement only a sadist has.
"No."
"Give me your arm," Richars says, "or I'll go and find your sister." And there's a long silence, during which Byerly doesn't move or breathe. Then his eyes come open, and they're red-rimmed - but they're dry. He extends his left arm. Richars takes it.
Byerly, the older version, watches all of this with an ironic little smile on his face. He doesn't even flinch when Richars snaps the boy's arm. Stoicism that's not new - the Byerly of memory doesn't let loose anything more than a soft sigh when the bone breaks. ]
I'd forgotten about this one.
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she isn't bothering to protect his feelings, but his younger self's arm snaps and she turns to look at byerly and offers, tone deceptively casual: ]
If he's in stasis and wakes up and you want me to break his arm, just say the word.
[ it wouldn't be the first time she makes a grown man cry. ]
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[ He smiles, though his eyes stay fixed on the scene in front of him. Not quite as unaffacted as he pretends to be; he doesn't blink, not once. Richars is informing him - voice level and calm, smoothing the sleeve of the boy's shirt, that this wouldn't have happened if he hadn't been playing music so loudly. It's a rather clumsy bit of gaslighting, but Richars himself is young yet; it's a skill that he'll develop nicely over time. ]
I don't know that I've earned such indulgence, my dear Dutch.
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[ it comes out a little sharper than intended. she's angry at the sight in front of her, yes, but she's angrier still from the earlier scene, from having her childhood dragged up and into the light without her say-so. she's angry, because the alternative to anger is something far worse. ]
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This one got what was coming to him. If it's any comfort.
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I told on him for this one. He broke my fingers for the trouble. And talked the adults into agreeing that it was just character-building. I was so very lacking in character, you see.
[ He tucks his hands into his pockets. ]
Where were the good ones, when we were young? The ones who'd sink knives into the backs of sociopaths like these?
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[ the answer is immediate, her tone not bitter so much as just factual. people who give a shit about others, who care like that? they die easily because they give so much of a shit. ]
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[ dutch shrugs, lips twisting almost cruelly. it's directed less at him than at herself. ]
I am because I was raised not to give a shit.
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I see. And the offer to murder dear Richars -
[ By gestures at the boy, who gives the trembling Byerly one last pat on the head before wandering back into the woods. ]
That was made out of indifference, hm?
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[ she doesn't. ]
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I believe I've borne witness to how very much that is not the case, dear Dutch.
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That was a long time ago.
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[ but while there's a threat in her tone, it's an utterly empty one. ]
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I bare my throat to you, madam.
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