Entry tags:
- *event,
- ace attorney: miles edgeworth,
- arrow: felicity smoak,
- cardfight!! vanguard: ren suzugamori,
- covert affairs: annie walker,
- critical role: caleb widogast,
- critical role: mollymauk tealeaf,
- critical role: nott,
- doctor who: jenny,
- ffxv: ignis scientia,
- ffxv: prompto argentum,
- got: loras tyrell,
- gundam: duo maxwell,
- it: richie tozier,
- kingdom hearts: axel,
- kingdom hearts: kairi,
- kingdom hearts: roxas,
- little witch academia: diana cavendish,
- love live: yoshiko tsushima,
- marvel 616: bucky barnes,
- marvel 616: natasha romanoff,
- mcu: bucky barnes,
- mcu: rocket raccoon,
- mcu: steve rogers,
- one piece: trafalgar law,
- outlander: brianna randall,
- outlander: claire fraser,
- overwatch: jack morrison (soldier 76),
- penumbra podcast: juno steel,
- penumbra podcast: peter nureyev,
- punisher: frank castle,
- saiyuki: genjo sanzo,
- star trek: james t. kirk,
- star trek: kathryn janeway,
- star wars: luke skywalker,
- star wars: padme amidala,
- stargate: john sheppard,
- stargate: tamara johansen,
- tasm: peter parker,
- the 100: emori,
- the 100: john murphy,
- the punisher: frank castle,
- torchwood: ianto jones,
- torchwood: jack harkness,
- voltron: allura
❪ event ❫ spirited away
PRELUDE Entry to the forest is not only overgrown with vegetation, but seems to be growing at an increasingly alarming rate. Any attempts to clear the vines will be met with even larger ones growing in its place, and it only confirms Nurray's findings as true. The only way in is across the sound from Nadril, entering the forest from its snowy back yard. It doesn't stay cold for long; as one ventures further into the forest, the snow will disappear, as though it was completely out of place in the first place. The red sun's warmth will take its place soon after— and before long, you'll feel too warm for the clothes you came with. That's when you know you've entered the heart of Josa Forest. WITHIN THE FOREST ![]() The forest seems to be thick with a profound presence that can’t be ascertained. While venturing through it, one will feel like there are being watched or followed. This feeling will only intensify as metallic-scented drops of rain begin to fall between the clearings in the trees. Unfortunately, what many don’t realize at this point is that this is how the forest itself eats. How it subsists and lives through the minds of those who eventually get lost in it. Wandering this far in is akin to walking into a lion’s jaw, or rather… straight to its stomach. But, the forest has a way of making one stay. While it swallows someone up, it shows them sinfully beautiful and picturesque sights. Even showing them people or things that are familiar to the lost. All of which will urge them to go in deeper and deeper. But, while the forest begins to prey on the mind of their victim— they will suddenly hear an elegant and alluring voice urging them back. This voice promises them comfort and safety. Promises to be kind and open. Promises she has a place for them where they will never feel displaced or unwanted, or lost. Before they can fully accept, they will find that they are whisked away in Barthala’s embrace. Some will be taken, wiped of all their previous memories and inserted new ones. Others will find they have no prior memories at all of themselves, only urged to go on with regular life. What is prevalent is the forest's desire to turn you. Metamorphosis is a phenomenon that occurs only to certain individuals, and there is no rhyme or reason to them. Some adventurers would find themselves changing by the minute, the hour, or the process may even take days and weeks. The forest toys with you, but it only wants to draw you closer to its core — as though there's a story there it wants you to see and understand. Will you go on anyway, knowing the forest has already has its claws on you? I. ALL ROADS LEAD TO — YOUR NEW (NEW) LIFE ![]() Adapting to an entirely new setting isn’t always so simple. People often say that assimilating oneself to the environment happens fluidly, and before you know it, you’re a part of it. In Dranbu, these words hold an uncanny sense of truth. When you awake, your day begins like it always has. Your daily routine meets largely unchanged, except a few tinier details. Perhaps, you’ve realized your true calling is an occupation within the villages itself. Maybe in farming up strange medical herbs, maybe in acting as a witch doctor for the people, or maybe you find yourself drawn to the arts and you really enjoy sculpting fellow villagers in the nude. Once you commit these tasks, you realize, it feels like what you’ve always done. As if it were natural, as if you’ve done them for years, and maybe you have? At least that’s what your gut is telling you, and slowly your memories will too. At the end of the day, when you return home, you realize you’re not alone. You have a partner who shares the same values and whom you love deeply. Or maybe a spouse whom you’re always arguing with. But, even that will feel as commonplace as the rest of your day. All you know is that the day that might have started off not being yours is entirely yours and yours alone. IV. THE HUNT — THE BOUNDARIES BEYOND ![]() For some, placated is synonymous with bored. While there is a sense of wonder in the beauties of nature that adorn the woods, serene forest life isn't for everyone. Those seeking more adventure can explore the challenging slopes of Waco Mountain. Barthala's influence is weaker on those bluffs than in Josa Forest itself, so thrill chasers won't be disappointed. Lose the path, slip on loose rocks, fall into a stream and spend a night wet and cold, there are many perils that come with traveling a mountain-side. Scattered ruins offer some shelter, their walls carved with images resembling Barthala, a dragon, and three other stranger creatures. While the deity's pacification does not flow as deeply through this region, all are still save from mortal wounds, and the veil cast over their memories will not lessen. If you have made it this far, however, there is no reason to try to return to the main city of Dranbu. Accommodations are always available in the neighboring villages: Phares in the north, and Stroln in the south. These villages are in friendly competition with one another, and will tempt travelers with women and men of their kind in order to draw in business to their hotels. FINAL OOC NOTES
No REP is available for this log. REP will now be primarily available through achieving NPC quests, which will be available on the 19th! Please keep an eye out for that!
Dranbu is entirely available for exploration! You may find that most of Wyver and Olympia Flora/Fauna may be found in the forest as well. For more information on your characters' (opt-in) Metamorphosis, please refer to the November Outline!
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the announcement he makes when he comes back is a surprise. ] Suit yourself. [ but - ] Did something happen today?
[ there's a frown tugging at her brows now. ]
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[ but there's a memory tugging at her mind now, too - ] There were more wolves than usual.
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I've been capturing wild animals on the trails. They all seem... rabid or something.
[ or something. it unsettles him and the feeling sinks into his guts even as he drapes the overshirt onto the couch along with his holster and moves to sit on the animal skin while he waits for her to finish getting dinner ready. ]
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[ he's her husband. of course she cares -- she does, doesn't she? of course. ]
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...Do we have coffee?
[ he asks, watching her drink the wine and growing exponentially thirstier the longer he does. is it bad for him? maybe he's allergic. wait - she asked him a question. frank frowns as he tries to mentally double back. ]
Sorry. I think I'm just... Today took a lot out of me.
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Yeah, we can brew some.
[ she moves to stand, getting the coffee, preparing it —and then, while that's heating up by the fire, she turns to him to set a hand against his forehead. to slide both of his arms around his neck while she's there. ]
Need me to kiss it better? [ it's teasing, but there's a softness that says she cares, that she wants him to feel better. (this time, dutch doesn't question it.) ]
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[ soft. almost impossibly so. she's always so understanding, sometimes he thinks... it can't be real, what they have. but that's crazy, she's right here. when she comes over to him, he draws in a sharp breath, not having expected the move though he should have. frank is so bone-tired that the best he can do is tip his head up into her touch, one firm hand palming her hip for balance. ]
Only if it's not too much trouble.
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[ and so she moves onto tiptoes and does just that, fitting her lips over his. in contrast to the kiss hello, this kiss lingers and lasts, for all that it's still relatively chaste. ]
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I think maybe I'm sick.
[ what else could explain all these pictures and words? none of them line up with anything that's ever happened to him. explosions, soldiers yelling in the desert. then explosions in a city, fire in the shape of a skull as a man screams. a shudder moves through him, his head dropping heavily to her shoulder. the only thing he feels secure in right now is this: his marriage to dutch. it's the only thing he trusts. ]
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[ instead of having coffee. she can bring him dinner, because she's a fantastic wife, thank you very much. but despite the suggestion, dutch makes no move to let go of him, doesn't shift away. instead, she shifts her weight a little, distributing it more evenly between her feet so that she can take more of his weight, wrapping her arms firmly around him.
this isn't normal. the shuddering, the way he's behaving —none of it.
(she has her own flashes of memories, the words little bird echoing in her skull, but they're distant and she's good at pushing them away, at ignoring them.) ]
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Not without you.
[ it's insistent, knowing he has to let go soon so they can eat, but he just needs another moment to breathe her in. ]
I'm fine. [ he says softly, beginning the painstaking task of disengaging from her. ] Let's eat.
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[ she doesn't really want to let go. she doesn't really want him to go to bed without her, either. if they let go, who knows what'll happen? —and she's worried for him, even though he says he's fine. he's clearly not.
she doesn't want to let go, but she does. not entirely: she finds his hand with one of hers, intertwining their fingers. ]
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Thank you. For dinner. [ impossibly soft. but she didn't have to have dinner waiting for him no matter what he's going through. he appreciates the effort as always and isn't shy about showing his gratitude. ]
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Of course.
[ equally soft. and then, even softer: ] I love you.
[ she'll hate herself for saying that, later. ]
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I know. [ ok han solo. but then when he's able to find his voice again: ] I love you, too.
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Food?
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Does that mean I have to let go now?
[ he holds up their hands and makes a show of slowly breaking the lattice of their fingers, like it's physically hurting him, before dropping his hand and leaning back on the fur to facilitate her in bringing their dinner over (by getting out of her way.) ]
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[ but even after he lets go, she doesn't go very far, pulling the meat from the fire and cutting slices off it with a knife (where did that knife come from? better not to ask), sliding them onto plates she's set out earlier. there's some kind of potato-esque root vegetable to go with the meat, and the whole thing takes less than five minutes before she sets two plates down and sits back cross-legged, leaning into his side. ]
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C'mon. Let's go to bed.
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[ he didn't mean to fall asleep or waste the meal she'd made him, but he does feel like he could sleep for a year. he needs her help to move everything aside and to get up to head to their bedroom. frank is clinging to her as she walks like she might disappear any minute, both arms wrapped around her middle and head tucked in against her throat. ]
You're the best. [ he murmurs, but it's obviously sincere. ]
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[ but the words are soft and her fingers are carding through his hair, gentle. sweet. ]
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You're gorgeous.
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[ she gets undressed, too, and then she slides into bed with him, far more graceful than his descend into the pillows. the confidence is easy, without the need to prove anything.
her fingers find his hair again. ]
Go to sleep, big guy.
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