Entry tags:
- *event,
- ace attorney: miles edgeworth,
- arrow: felicity smoak,
- cardfight!! vanguard: ren suzugamori,
- covert affairs: annie walker,
- critical role: caleb widogast,
- critical role: mollymauk tealeaf,
- critical role: nott,
- doctor who: jenny,
- ffxv: ignis scientia,
- ffxv: prompto argentum,
- got: loras tyrell,
- gundam: duo maxwell,
- it: richie tozier,
- kingdom hearts: axel,
- kingdom hearts: kairi,
- kingdom hearts: roxas,
- little witch academia: diana cavendish,
- love live: yoshiko tsushima,
- marvel 616: bucky barnes,
- marvel 616: natasha romanoff,
- mcu: bucky barnes,
- mcu: rocket raccoon,
- mcu: steve rogers,
- one piece: trafalgar law,
- outlander: brianna randall,
- outlander: claire fraser,
- overwatch: jack morrison (soldier 76),
- penumbra podcast: juno steel,
- penumbra podcast: peter nureyev,
- punisher: frank castle,
- saiyuki: genjo sanzo,
- star trek: james t. kirk,
- star trek: kathryn janeway,
- star wars: luke skywalker,
- star wars: padme amidala,
- stargate: john sheppard,
- stargate: tamara johansen,
- tasm: peter parker,
- the 100: emori,
- the 100: john murphy,
- the punisher: frank castle,
- torchwood: ianto jones,
- torchwood: jack harkness,
- voltron: allura
❪ event ❫ spirited away
PRELUDE Entry to the forest is not only overgrown with vegetation, but seems to be growing at an increasingly alarming rate. Any attempts to clear the vines will be met with even larger ones growing in its place, and it only confirms Nurray's findings as true. The only way in is across the sound from Nadril, entering the forest from its snowy back yard. It doesn't stay cold for long; as one ventures further into the forest, the snow will disappear, as though it was completely out of place in the first place. The red sun's warmth will take its place soon after— and before long, you'll feel too warm for the clothes you came with. That's when you know you've entered the heart of Josa Forest. WITHIN THE FOREST ![]() The forest seems to be thick with a profound presence that can’t be ascertained. While venturing through it, one will feel like there are being watched or followed. This feeling will only intensify as metallic-scented drops of rain begin to fall between the clearings in the trees. Unfortunately, what many don’t realize at this point is that this is how the forest itself eats. How it subsists and lives through the minds of those who eventually get lost in it. Wandering this far in is akin to walking into a lion’s jaw, or rather… straight to its stomach. But, the forest has a way of making one stay. While it swallows someone up, it shows them sinfully beautiful and picturesque sights. Even showing them people or things that are familiar to the lost. All of which will urge them to go in deeper and deeper. But, while the forest begins to prey on the mind of their victim— they will suddenly hear an elegant and alluring voice urging them back. This voice promises them comfort and safety. Promises to be kind and open. Promises she has a place for them where they will never feel displaced or unwanted, or lost. Before they can fully accept, they will find that they are whisked away in Barthala’s embrace. Some will be taken, wiped of all their previous memories and inserted new ones. Others will find they have no prior memories at all of themselves, only urged to go on with regular life. What is prevalent is the forest's desire to turn you. Metamorphosis is a phenomenon that occurs only to certain individuals, and there is no rhyme or reason to them. Some adventurers would find themselves changing by the minute, the hour, or the process may even take days and weeks. The forest toys with you, but it only wants to draw you closer to its core — as though there's a story there it wants you to see and understand. Will you go on anyway, knowing the forest has already has its claws on you? I. ALL ROADS LEAD TO — YOUR NEW (NEW) LIFE ![]() Adapting to an entirely new setting isn’t always so simple. People often say that assimilating oneself to the environment happens fluidly, and before you know it, you’re a part of it. In Dranbu, these words hold an uncanny sense of truth. When you awake, your day begins like it always has. Your daily routine meets largely unchanged, except a few tinier details. Perhaps, you’ve realized your true calling is an occupation within the villages itself. Maybe in farming up strange medical herbs, maybe in acting as a witch doctor for the people, or maybe you find yourself drawn to the arts and you really enjoy sculpting fellow villagers in the nude. Once you commit these tasks, you realize, it feels like what you’ve always done. As if it were natural, as if you’ve done them for years, and maybe you have? At least that’s what your gut is telling you, and slowly your memories will too. At the end of the day, when you return home, you realize you’re not alone. You have a partner who shares the same values and whom you love deeply. Or maybe a spouse whom you’re always arguing with. But, even that will feel as commonplace as the rest of your day. All you know is that the day that might have started off not being yours is entirely yours and yours alone. IV. THE HUNT — THE BOUNDARIES BEYOND ![]() For some, placated is synonymous with bored. While there is a sense of wonder in the beauties of nature that adorn the woods, serene forest life isn't for everyone. Those seeking more adventure can explore the challenging slopes of Waco Mountain. Barthala's influence is weaker on those bluffs than in Josa Forest itself, so thrill chasers won't be disappointed. Lose the path, slip on loose rocks, fall into a stream and spend a night wet and cold, there are many perils that come with traveling a mountain-side. Scattered ruins offer some shelter, their walls carved with images resembling Barthala, a dragon, and three other stranger creatures. While the deity's pacification does not flow as deeply through this region, all are still save from mortal wounds, and the veil cast over their memories will not lessen. If you have made it this far, however, there is no reason to try to return to the main city of Dranbu. Accommodations are always available in the neighboring villages: Phares in the north, and Stroln in the south. These villages are in friendly competition with one another, and will tempt travelers with women and men of their kind in order to draw in business to their hotels. FINAL OOC NOTES
No REP is available for this log. REP will now be primarily available through achieving NPC quests, which will be available on the 19th! Please keep an eye out for that!
Dranbu is entirely available for exploration! You may find that most of Wyver and Olympia Flora/Fauna may be found in the forest as well. For more information on your characters' (opt-in) Metamorphosis, please refer to the November Outline!
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no subject
He doesn't know why he should be so distracted by somebody so ordinary. Albeit this does seem to be one of the travellers who's stumbled in lately, most of them half turned about by the forest, lacking the sharp ears or sharper teeth or fleet feet to properly navigate wild places. Not quite ordinary for the villages round here, maybe, but plain enough.
Although he does have nice eyes. Or Prior thinks he would, for some reason, underneath the glasses reflecting back the lights above the bar. Prior's watching from the opposite side, shadowed almost as much as the stranger's lit.
Well, who knows what it could be that has him flustered by a glimpse of a weary stranger, but it's undeniable something does. He may be known for being somewhat flighty by nature, but it generally takes a little more than this.
He watches the barman slide a tall glass of water forward and lean in after it, and takes a couple of careful steps backwards. Light footed, all but undetectable - save the mighty clang one antler sends ringing out as it connects with a light fitting. It's embarrassing, really. A regular here long enough, he should have learned where and when to duck years ago. As it is he startles himself at the same time as pulling the attention of half the patrons in the bar.
Though there's only one he's really aware of. He stares a long moment more at the new perspective offered when the stranger lifts his head up - then finds himself trotting as swiftly as dignity (and other low-hanging obstacles) will allow, toward the back door.]
no subject
Such a clatter behind him. Someone clocked themselves on the iron-wrought lights. Richie turns back to look.
What's this town got on Derry?]
Prior!
[He leaps up. (What the devil is on his head?) The glass and barman are abandoned, the whole room tracks his mad dash after the exit. Strange folk, these outsiders. What's he want with Jack's husband?
The blur of a man disappears with a bang, the door swinging bamboozled in his wake. Richie can see the shadow against lamplights. It looks near satanic. Remember that bit in Pinnochio? It had been hilarious as a kid, watch the cartoon boys turn to asses, hee-hawing and shrieking in technicolor. He's not finding it funny now.
Richie gives chase, one hand out to snag at his arm, his shoulder. Whatever he can hold.]
Prior, wait!
no subject
He clips neatly to a stop (it's the name, that's what makes it worse) and the back view might afford Richie the chance to watch the measured breath he takes lift his shoulders and drop them again. Steady. There's no sense in flipping out over a strange, lost man.
He half turns (by now Richie might have noticed the few extra inches in height he's put on somehow, as if he's been stretched and honed into something more delicate, spindly by design rather than the slow wasting of sickness). As he looks back the dappled patterns across the side of his face are more evident, less easy to mistake for shadow.
He smiles, a narrow, deliberate thing.]
Why, I always hoped my reputation would precede me, but I never expected it to make it this far. [He looks Richie over, a quick, uncertain - unfamiliar - glance] How do you know my name?
no subject
Richie takes in the spots first, patterned over what should be a hairless cheek. The height is known before it's comprehended. His fingers splay in shock, losing the grip on his shirt (don't let him go—) as Richie steps back, mortified.
The creature is Prior. But it's not his Prior. He remembers what Beverly said about Mrs. Kersh, fine features trickling into old witch's decay, pulling handfuls of fudge into her wretched mouth from a table that should have been wood. The house had turned into Hansel and Gretel's hell before her eyes. Which story was this? Which one chewed up a man you loved and spat them out as an animal?]
You...well Jesus, Prior, I didn't think I was that forgettable. [His jaw locks. Eyes dart to the antlers. His horror reads plain.] New haircut?
no subject
He steps in place, himself, shifting foot to foot. One's a more careful tread than the other, but his lameness is more easily incorporated into a lighter gait. If he ran, he wouldn't be caught.]
That's not an answer, really. And I don't think we're friends from the old days, are we? If I knew something that looked like you, I'd recall it.
[There's a bite there. Well, these strangers are different, and not just in looks. Who's to say they're safe? By all accounts all the human cities tend to do is try to burn each other to the ground - there's a reason Dranbu keeps its distance.]
no subject
Lucky he's wise enough to bite that one back. The creature that Prior's become already lit the fuse on his patience, and Richie's not sure how to snuff it out. What time can he buy under circumstances like this?]
You should recall me. It's Richie. Look— [The glasses are ripped free, baring his eyes. Desperate eyes. Pleading ones.] C'mon, Pry, do I gotta do the song and dance for you? Snap out of it.
[He reaches —unwisely, yes, he knows it well — for the dangling hand that brushed his thick hair. Touch. Human touch. Could there be merit in that?]
You left your coat on the floor. No note. What are you doing out here?
no subject
[He jerks his head back as Richie reaches out, but somehow his hand doesn't get caught in the recoil. Fingertips touch. There's no Freaky-Friday jolt of primal magic shoving his senses back where they should be, just a moment held too long before he snaps his hand away too, splaying it palm out across his collarbone.]
What am I doing here? Oh, the can-can every night at Mme Le Roux. [This is an insanity he shouldn't be indulging, and yet he stares at Richie anyway, just in case there is some detail to his features that might click and explain this behavior. In case it clicks and explains the unsettled feeling in his stomach.] I live here. I have a job. A husband, and a coat. If we screwed sometime in the dim and distant past and I left in a hurry then I'm sorry but -
[Left his coat on the floor. There have been faceless people whose floors probably retained one item of clothing or another, but he'd remember, surely he'd remember -
Look, he's been instructed, so he looks long and hard. And shakes his head.]
There's nothing.
no subject
His shock gets its about-face quick.]
Oh really? They got the can-can down in ole Dranbu? [You'll have to dismiss his derision, but speaking frankly my dear:] That's a load of horse shit if I ever saw a fresh pile pushed out. That's French, Pry, from the Moulin Rouge in gay old Par-ee. On Earth, which is where you're from.
[His fingers switch to pointing. His glasses mash back onto his face. He needs to see clear, hear clear, before his blood boils to bubbling and the steam jets out of him like a burning hurricane. Something has to work, anything, please—]
Your name is Prior Walter. One of several in a line of WASPs longer than your dick. You lived in New York. You met a man named Lou and you fell in love and he snapped your damn heart in two because you got sick. Sick with the worst bug of all, kid, and you're lucky they've got the spells to quell it here because it's going to eat you alive.
And you were never married. [It wasn't legal. That's beside the point. Richie holds for a cold moment.]
Who is he?
no subject
He's kept a mask of indifference as cold as he can make it, but the cracks have begun to show.]
How do you–
[A pause to try and shake the tremulous quality from his voice, and he pulls the old trick of dipping his chin so its harder to see his face fall.]
How do you know I'm sick?
[They don't have a name for it here, just a healthy fear of it, and he's waiting for the day Jack turns bushy-red tail and leaves him over it, too. All this is just a little too on the nerve. Prior pushes back against the fear with a fresh defensive spark.]
No. No. This is all nonsense. This is what I do: fates and fortunes, the real thing. Not some... cheap trick. So forgive me for not showing you my wedding photos so you can pull the same stunt on Jack. Whoever fed you these lines claiming they knew me, it sounds like they barely passed me in the street.
no subject
It turns out he should have dropped the history and gone for the physical here and now. Richie's jaw is rigid tight. Cheap tricks, nonsense, force-fed lines. He knows Prior's misaligned right now, head screwed on at a bad angle and he's stripping the hatched top trying to work it loose, but damn if that doesn't hit his gut like a rusty blade.
It's not for nothing. It isn't. He's got an angle now, one taken advantage of with a terse blow.]
There's a lesion on the inside of your arm. The left. [His lips twitch. He steps closer by four inches. Nothing invasive, but all too intimate with his voice gone hush-hush and the accusations drawing a map of Prior's skin.] A big purple splotcher in between your shoulder blades. Some dotty specks healing up on your thigh.
[Near where he'd taken a lascivious nibble before the marks even showed. He'd been afraid his teeth were the cause and Prior had swatted that hound dog guilt away, literally and orally. A slap to the shoulder and a hostage threat on his Led Zeppelin collection if he swore off fellatio over something so stupid.
He can't list those facts off. He doesn't want them dismissed, he needs them to stay close and precious or he'll lose it.
Richie raises a defiant chin. His stare is unwavering and hard.]
I don't care about Jack. Or your pictures. Two can play that game if you want, kid. How's your leg doing? [He shakes his head, wry and bitter.] AIDS is a real bitch, innit guvnor?