[ closed ]
Who: Byerly (
vorrutyer) & Nash (
latkje)
What: Magic!
When: After the conclusion of the disease plot.
Where: On the road from Wyver to Olympia.
Warning(s): 504 Gateway Time-out
[ The road from Wyver to Olympia is well-travelled and well-packed, the long stretches of monotony preventing Nash from enjoying the landscape. Travel was supposed to bring variety, he thought, new sights, new sounds— not the same thing, over and over. It was hard to tell how far they'd come, at least in the physical sense. ]
At least we're done with that awful humidity. [ He runs a hand through his hair— short and wavy, it had gotten unruly in the heat. ] I have a northern constitution, if you didn't know. [ And a northern fashion sense, as Harmonian clothes tended toward the dour and conservative. Nash was also in the habit of wearing gloves. He's wearing them now, in fact. ] There are some things I just wasn't made for.
[ That hangs in the air a moment, then he turns to actually look at Byerly. ]
But you wanted to talk about magic.
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What: Magic!
When: After the conclusion of the disease plot.
Where: On the road from Wyver to Olympia.
Warning(s): 504 Gateway Time-out
[ The road from Wyver to Olympia is well-travelled and well-packed, the long stretches of monotony preventing Nash from enjoying the landscape. Travel was supposed to bring variety, he thought, new sights, new sounds— not the same thing, over and over. It was hard to tell how far they'd come, at least in the physical sense. ]
At least we're done with that awful humidity. [ He runs a hand through his hair— short and wavy, it had gotten unruly in the heat. ] I have a northern constitution, if you didn't know. [ And a northern fashion sense, as Harmonian clothes tended toward the dour and conservative. Nash was also in the habit of wearing gloves. He's wearing them now, in fact. ] There are some things I just wasn't made for.
[ That hangs in the air a moment, then he turns to actually look at Byerly. ]
But you wanted to talk about magic.
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[ His smile has returned to lightly mocking. ]
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Are you?
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After a fashion. I was too young to fight in the War of Vordarian's Pretendership, but I remember it. Not my warmest childhood memories.
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I was born in 437, a little too late to remember the Sanady Rebellion. [ He was about five, when it ended. ] But I remember what came after. Wagons of children, my own age, sent to the capitol. They were— very thin. All their clothes were new. I wasn't allowed to play with them, and I didn't understand why.
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Refugees?
[ Or - slaves? But that's a horrifying possibility. ]
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[ Away from their families, their homes, their culture. That's why they were given new clothes. As a strategy, it had the double effect of demoralizing dissidents and indoctrinating a new generation of loyalists. Two birds felled with one stone. That economy had a particular appeal to the Holy Kingdom, which was always trying to accomplish much while moving little. ]
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[ There's a slight frown of disapproval on Byerly's brow. Barrayarans, after all, are more comfortable with annihilation than colonization. But he doesn't express it outright; he hardly knows all the details, and he did just call for an end to war. ]
And did that serve to keep the peace?
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[ It doesn't always go so smoothly, but in this case, it did. ]
I wonder, though, if the Nathans will have us all dressing in new clothes before long. [ They are being made to deny where they come from, for the purposes of some inscrutable scheme or whim. ]
Not that I have any trouble denying where I come from.
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[ By runs a hand along his jaw in grim thought. ]
But your people took those children, at least in part, as hostages. Who would we be held hostage against? Our people cartainly aren't about to attempt a daring rescue.
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[ He can't help but look up. ]
If they're the hostages, and not us, does it really change the play? Sometimes an actor has to multiple parts.
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I do wonder, sometimes, if our celestial overlords simply craved a strange little menagerie. If the story of the storm simply keeps us docile.
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[ He tilts his chin up towards Nash. ]
Be honest. Do you really think you were chosen by some higher power?
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What makes you think the Nathans meant to wake you up?
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[ He shrugs. ]
My naturally suspicious nature, I suppose. [ Less glibly - ] There are a great many people in my world, and a great many people in yours. What percentage of them are spies and warriors and magicians?
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It’s a point.
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But - after a fashion, yes. I skipped my lessons on mathematics - and demographics - but in my home, most people are farmers and laborers. The same in yours, I should think. Yet here we are, two devilishly useful men, plucked out of all the millions. The Orbiters are fighting a war, no? I shudder for our chances of winning if they're truly reviving their soldiers at random. They're idiots, if that's the case.
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If the Orbiters are trying to win a war, there are people they could've gotten that are more useful than me.
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[ Then, with a shake of his head: ] Every key has its lock. The key does not know what it was forged for, no, but the blacksmith knows. [ A less cryptic translation: ] Take it from a drunken shambling fool who was made into a spy: sometimes others see your use when you do not.
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"There's a divinity that shapes our ends, rough hew them how we will." [ He couldn't tell you who wrote the play, though. These things just appear in random chests. ]
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[ He laughs shortly, then gestures at the sky. ]
The locals here say they're gods, don't they? Perhaps they're the divinity shaping our ends.
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[ Anyway, let's return to the more interesting part of that last bit. ]
Did you see the play before or after some darker power plucked you from drunken obscurity and made you into a spy?
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Drunken notoriety, my friend. [ Then, with a sigh - ] But - before. I associated with many actors, opera-singers - undesirables of all sorts.
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But continue.
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[ But By shrugs. ]
The war they're fighting - if it is a true war, and not simply something to keep us docile - it's rather beyond our comprehension. To fight against a shapeless darkness. How can you know you're not of use?
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