DCI T. NIGHTINGALE (
ettersberg) wrote in
nysalogs2018-01-08 09:42 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
( mostly closed )
Who: Thomas Nightingale (
ettersberg) & various
What: dinner dates, accidentally stumbling about questers, a month in the life of one (1) thomas nightingale
When: january
Where: olympia
Warning(s): n/a (will warn in subject lines if anything comes up)
[ starters in comments. hit me up via pm or at
abiosis if you'd like to do something! ]
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
What: dinner dates, accidentally stumbling about questers, a month in the life of one (1) thomas nightingale
When: january
Where: olympia
Warning(s): n/a (will warn in subject lines if anything comes up)
no subject
[ "the war" of course meaning wwii. it's easy enough to talk about it when he doesn't let himself linger on the mention. ]
no subject
Thomas has lived through a lot. not running away at the mere mention of it is the least he can do. ]
Magical police. [ a catch at the edge of his mouth, expression wry but not mocking. ] We could've done with you on a case or two.
no subject
Someone has to investigate magical breaches of the peace. [ but - ] What sort of cases?
no subject
[ John flounders here, looking for a word... can't find one. inexplicable, Sherlock had called it, and he hadn't been wrong. ]
Light, I suppose. Anyway, they took it off our hands within a day. Whisked it away to some secret facility, no doubt. That or it's sitting in Mycroft's junk room. [ ah. ] —Was.
no subject
[ thomas spreads his hands a little, as though to say "wasn't me". it's the truth, too, but it makes him wonder how different his world and john's really were.
he thinks on it for a moment. ] Though I think I could manage making an object do that.
no subject
except, hello. ]
Yeah? [ magic. right, Thomas can do magic. ] Is there a spell for that, or do you just...?
[ is there a spell for that. John coughs out another short laugh. ]
Sorry. Pop culture's all I've got to go on.
no subject
[ but - ] Which isn't to say I know them all. Wizards used to specialise, for the most part. [ here, his gaze slides away from john again, back into the past.
some knowledge, he fears, may be lost forever now because of that. that which isn't written down, at least. that which cannot be learned by studying a written text. if thomas doesn't know it, there isn't anyone else. ]
no subject
a slight downward turn of his mouth. John sets his hand down on the table - doesn't reach all the way across, that's a bit too forward, not necessarily physically but in other ways. but he's there, closer than he was before, fingers laid palm-down at the midline where their halves would join if the table were in pieces. ]
Right. [ an acceptance of fact, even if he doesn't fully understand it.
he wants to know the right thing to say here. wants to know somehow, instinctively, when's the alright time to touch on something as gargantuan as the size of the loss sitting in each and every one of them.
he doesn't. so, instead, after a held breath waiting for words can't wait any longer, ] How did you specialise?
no subject
for a moment, he stays silent, head tipped forward, then he straightens his shoulders and his spine again. ]
Not in only one thing, admittedly. I learned how to make staves - [ he lifts the walking stick he carries around with him everywhere he goes on this planet. it isn't a walking stick at all. ] and I am quite adept at combat magic.
[ that's an understatement. once, he was considered the strongest wizard in all of europe. then, he became one of the only ones. ]
no subject
gaze darts to the walking stick when it's singled out, and remain there as Thomas continues. he hears the rest, but he's still picking apart the word staves, connecting it to the stick he's been shown, and— ]
That's your staff?
[ if some measure of his careful attempt to not seem like magic being real doesn't still regularly catch him for six falls suddenly and dramatically away at this latest discovery, it's only because Thomas caught him off guard. ]
no subject
Yes.
[ after a moment, he elaborates: ] Magic in my world comes with certain risks. Stroke, mainly, and various medical terms that I've failed to memorise. If one does too much magic at a time, one dies quite suddenly. Staves help alleviate the issue. They store magical energy, if you will.
no subject
So magic's something— that exists outside of you? And channelling too much of it's the problem? Or is it in you as a - dormant energy or something, I don't know - and utilising it's what has the effect on the body?
[ whoops, sorry Thomas. suddenly a small glimmer of this is slightly comprehensible to him, and that's exciting in and of itself. ]
no subject
[ but despite the words, there's something softly pleased in his expression. thomas has always had a soft spot for those more scientifically-minded than he himself is. david, most notably — but also abdul and peter. ]
no subject
understood or not, it does make him feel less separate from it all - takes the mystique out of it. that magic had physical repercussions to its users in Thomas' world isn't a good thing, exactly, but it does neutralise it. takes it out of the realm of fantasy, somehow. humanises it. ]
That's alright. This is the first time I've heard of it having consequences to the user. Medical consequences. It's— well, not good, obviously, just— real.
[ dragging himself to a halt, John shakes his head. casts Thomas a look, checking to make sure he hasn't offended. ]
no subject
You would like my apprentice. [ "if he wakes up" goes unspoken. ]
no subject
no subject
[ there is that expression again. "used to". it's all a moot point now, anyway. ]
no subject
John sits with it a second. then: ]
Thomas, look, I really -
[ saying any of the things that come to mind out loud would once again cross the lines of highlighting vulnerability, and defeat the object of speaking at all. jesus christ, he's no good at this. ]
... It's fine. If you want to talk about this. I'm happy to. But if it's a difficult topic, we can try it again another time.
[ he isn't here to upset him, but every new turn in the conversation seems to be fraught with potential mines and avoiding them is proving impossible. he is more than happy to talk, to listen, but if Thomas came here expecting a pleasant evening and what he's getting instead is the slow drag of retrospection— ]
no subject
I apologise. [ his lips quirk a little. ] Magic in England has had the easiest time of it in the last few decades. [ he has not had the easiest time. magic and the nightingale are not synonymous, not even in england, but close enough. ] I don't mind the questions.
[ he doesn't. he lives with the knowledge of what happened every day. it isn't something he's likely to forget, but he's far better these days than he once was.
he reaches for his glass, taking a sip of wine. ] But perhaps it isn't the lightest of topics. [ an out, if john wants it, because john did not sign up for this, did he? the loss that still eats at thomas. ]
no subject
It doesn't bother me. I'd like to talk about it. It's - I don't know, it just feels a bit impersonal.
[ John gestures helplessly to the table in front of them, expression apologetic, like the setup distances them and he's sorry he misjudged. like he can't give enough of himself to conversation with dinner in the way.
and here John's own experience comes into play. there's a date and there's friendship, and he very rarely finds them bleeding together: to be sitting across the table from Thomas now, knives and forks and wine between them, is a whole different beast to sitting comfortably in armchairs or closer around the table, whisky or beer or tea at the ready, listening intently and talking in return. ]
no subject
We can talk about it later, should it come up again.
[ it is not a topic he enjoys so much that he will fight to continue talking about it. later — over a drink, perhaps, or in some other setting. likely over a drink, he thinks. ]
no subject
after it's swallowed, face pinched against the taste of the too-large gulp of something that's supposed to be savoured: ] Sorry. Jesus. I'm— Usually better at this.
[ it's just that this particular set of circumstances have never aligned before: a conversation between friends on a date, the date being with a man, the conversation between friends being about magic, being about loss, being held on another world after their own have been consumed... take your pick. he's about as out of his depth as you can get. ]
no subject
for nightingale, the line between friendship and dating is not a strict one. he has been friends with many men he could have seen himself bedding or dating or all of the above. friendship and love are on the same spectrum, aren't they? and sexual interest is not the same as either of them, but it goes well with them, thomas has found. ]
I don't think I'm particularly skilled in this regard, either, so it's quite all right.
no subject
I don't know. You're doing well today.
[ navigating the various misadventures John's been on in the last ten minutes with grace and charm, bravo. ]
no subject
A well-crafted illusion. [ he says after a moment, not without humour. it's mostly meant as a joke. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
i know nothing about rugby, NOTHING
me TOO let's never research this and pretend we did
perfect
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)