Morrigan (
courtintrigue) wrote in
nysalogs2017-08-04 11:54 pm
Entry tags:
(open)
Who: Morrigan (
courtintrigue) + Lavellan (
heraldsdawn), Morrigan + ?
What: Making use of her shapeshifting abilities, Morrigan checks out points and people of interest in Olympia. On Thesa, she runs into Lavellan in the flesh.
When: within the first few weeks after landfall
Where: various places around Olympia
Warning(s): none at the moment
i. Olympia (ota)
There has been little time to adjust between surprises, but there are things that remain the same. Whether spending time with the animals of the wilds or in an opulent ballroom full of masked nobles, observation is always important. Uprooted and placed here, there is much to learn. Their rescue from the Storm may have placed a great many people on even ground here, but she is not so foolish as to believe it makes them all allies, much less friends.
How better to learn about those around her than in a shape that is, in her experience, often overlooked? Over the course of several days (and sometimes nights) she spends time observing in the form of a black short-haired cat, watching combat in the dojos and peeking at the selection of mounts in the stables and avoiding the more enthusiastic worshipers in the temples. Anyone who moves with clear purpose from one point to another earns her attention, as do those who linger in seemingly odd places or demonstrate a visible familiarity with magic or local plant life. She stays out of reach when approached, even people have piqued her curiosity enough to have her temporarily shadow them.
ii. Thesa (for Lavellan)
Knowing it is possible to return to the station meant she had to do it. To experience the process for herself, if nothing else, but also to find out what, if anything, is different after their abrupt ejection. The last time she left the stasis unit she had no intention of returning. And here she is, making certain that Flemeth is as she was left. If her mother had awakened in all the excitement she would want to know, less out of concern -- it has been some time since Flemeth earned that -- than a desire to brace herself for the inevitable encounter. Her time with the Inquisition had an odd habit of making old faces resurface.
Having satisfied her curiosity, she once again turns her back on Flemeth's pod and starts for the door, but she hesitates when she spots another familiar face, the elf she fought dragons with in the simulation. Eyebrows arched in surprise, she offers a half-smile and a nod of acknowledgment. "We meet again, knight enchanter. Perhaps I should ask your name this time since we are not at danger of being set ablaze."
[ Will match brackets if that's your pref! If you'd like a more personal starter (or just, you know, to meet up with her without encountering the cat form first) shoot me a PM; since she's in exploration mode it's easy to place Morrigan almost anywhere right now, especially within the market district, around the Institute, or just outside Olympia. ]
What: Making use of her shapeshifting abilities, Morrigan checks out points and people of interest in Olympia. On Thesa, she runs into Lavellan in the flesh.
When: within the first few weeks after landfall
Where: various places around Olympia
Warning(s): none at the moment
i. Olympia (ota)
There has been little time to adjust between surprises, but there are things that remain the same. Whether spending time with the animals of the wilds or in an opulent ballroom full of masked nobles, observation is always important. Uprooted and placed here, there is much to learn. Their rescue from the Storm may have placed a great many people on even ground here, but she is not so foolish as to believe it makes them all allies, much less friends.
How better to learn about those around her than in a shape that is, in her experience, often overlooked? Over the course of several days (and sometimes nights) she spends time observing in the form of a black short-haired cat, watching combat in the dojos and peeking at the selection of mounts in the stables and avoiding the more enthusiastic worshipers in the temples. Anyone who moves with clear purpose from one point to another earns her attention, as do those who linger in seemingly odd places or demonstrate a visible familiarity with magic or local plant life. She stays out of reach when approached, even people have piqued her curiosity enough to have her temporarily shadow them.
ii. Thesa (for Lavellan)
Knowing it is possible to return to the station meant she had to do it. To experience the process for herself, if nothing else, but also to find out what, if anything, is different after their abrupt ejection. The last time she left the stasis unit she had no intention of returning. And here she is, making certain that Flemeth is as she was left. If her mother had awakened in all the excitement she would want to know, less out of concern -- it has been some time since Flemeth earned that -- than a desire to brace herself for the inevitable encounter. Her time with the Inquisition had an odd habit of making old faces resurface.
Having satisfied her curiosity, she once again turns her back on Flemeth's pod and starts for the door, but she hesitates when she spots another familiar face, the elf she fought dragons with in the simulation. Eyebrows arched in surprise, she offers a half-smile and a nod of acknowledgment. "We meet again, knight enchanter. Perhaps I should ask your name this time since we are not at danger of being set ablaze."
[ Will match brackets if that's your pref! If you'd like a more personal starter (or just, you know, to meet up with her without encountering the cat form first) shoot me a PM; since she's in exploration mode it's easy to place Morrigan almost anywhere right now, especially within the market district, around the Institute, or just outside Olympia. ]

i; market district
Well, when she gets to the more crowded market distract, she has to be more clever about finding space to set up. After searching out several alleys, she ultimately settles on a solution that usually works out well: going higher. She disappears into a storefront displaying a wide assortment of herbs contained within numerous glass jars and phials. Several minutes later, having made a deal with the storekeeper, she appears on the roof of the building several storeys up. From this perch and great vantage point over so many of the stalls in the open square below, she sets down her things and begins to gets ready to start her task.
She thought she's seen a black cat several times today already, so, if she spots Morrigan, she will try to beckon her forward with something tasty. She may have stopped in a store just to get something.
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The only problem with being so interested in how this particular adventure will conclude is that her ongoing presence is bound to earn a little attention. Just as she starts to think she should find a discreet place to shift back into her own shape, she spots Mercy entering a shop that would attract her in any shape. She slinks in as the next customer enters and for several minutes gets distracted by the selection of herbs, stopping short of leaping onto the shelves for a better look, but she feels fairly certain Mercy went up the stairs in the far corner of the store and eventually follows up to the rooftop, by now relentlessly curious.
Since it seems as though there is a project to be done and there are fewer places to hide on the roof, she keeps less distance between them. In her own form she would simply ask a few questions, but she is unwilling to give herself up just yet and instead watches intently, tail lazily flicking. When Mercy sets out a treat meant for her -- of course the doctor noticed her at some point -- she lets out a small rasp that could almost pass for amusement. She ventures forward to help herself only when she feels convinced that Mercy will continue her work while she does so.
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She does her best to concentrate on the project in front of her. Her interest and dedication to the detail aren't faked, and she really is in the process of drawing a careful line, when, without looking up and feigning disinterest, she leans over and puts down another treat. This one is closer. Obviously a lure.
'Hmm. I wonder what else I may have in my bag.'
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And by now she is far too curious not to unravel the mystery of what Mercy has been working toward.
At first she stays in place, feigning her own disinterest as she sits exactly where the first treat was left. It is, unfortunately, not near enough to have a good view of Mercy's work. It seems to be a sketch of some sort now rather than more writing, judging by the stroke of Mercy's hand.
When she does approach, she winds her way over in a roundabout sort of way as though curiosity is not what moves her forward and something else could grab her interest. She sniffs at the second treat before she eats it as well, still taking her time, and only then does she move close enough to start examining all that Mercy brought up to the rooftop with her.
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Morrigan might notice that Mercy is putting together a map of the city. The districts have obviously been sketched out on the unfurled square of white cloth. Throughout the day, she's been detailing in various landmarks: statues, squares, streets, shops, quirky houses. Their actual significance is probably lost, however, since she has picked them out specifically with their own memorability to her in mind.
Mercy's hand twitches with the urge to pet a soft head, but she powers through it and focusses on the task at hand. She muses ideally, as if there isn't someone she wants getting closer, "Ah, what I wouldn't give to be able to just go where I wanted. I don't want to look too silly."
She laughs, and then briefly touches her bag. Besides the instruments she's taken out, Morrigan might see a compass, a glimpse of a leather notebook, and a bag of mints. This last one is a treat for her. Lavender in colour, they smell strongly of sweet flowers.
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Where is it Mercy would go if nothing held her back, she wonders, but her eyes follow Mercy's hand to the bag. She can just barely glimpse inside; this really was quite a planned project for the day, it seems, and when she noses closer she catches a whiff of something sweet within, something that surely has nothing to do with maps at all.
It will be awkward if she reveals herself, she knows, but it will not get any less awkward. She holds off on the reveal-or-leave decision just a bit longer, if only because Mercy has proven to be willing to talk to animals without trying to maul her with affection, and instead she sits by the map as though expecting a show, one deliberate paw placed on its edge.
no subject
For as underwhelming as her handwriting is, Mercy's ability to render a likeness can be uncanny: obviously something she's worked at, combined with the precision drilled into her surgeon's hands, and a smudge or two of talent. Not that that is evident here given that she's not drawn anything too exciting, but it is easy to get a sense of her capabilities from the crispness and smoothness of her lines.
Reaching into her bag again, she nonchalantly reaches over and places a treat within the cat's reach. Then she pushes some errant hair behind her ear and looks back to her work. 'You wouldn't happen to know any good rooftops, would you? Or lookout points? Places where you can get a good vantage point of the city.'
i. residential district (???)
Finding a junkyard on the outskirts of town is enough to divert Yusei's attention, though, and Morrigan might find it odd that the kid's made it a point to start rooting through the garbage. It's even odder when he starts muttering to himself over what he's found.
"What sort of place is this? Appliances that run on electricity, televisions with seemingly no power source, and vehicles that run on primitive mechanisms...how strange..."
He says this while holding what looks like a giant steampunk-esque gear in his hand, turning it around to get a better look at it. It doesn't seem too damaged, but he wonders if he can make anything practical with it at this stage when he's still figuring things out. It's something to put in the pile of interest, though, so off to the side it goes. He tosses it somewhat carelessly next to another pile of things he plans on sorting through, and maybe a little too close to Morrigan's hiding place-watch out!
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Moving close enough to hear him better as he mutters, she picks her way between two devices she has been told are called televisions and peeks around one to see what he examines. Based on what she catches him saying, she is inclined to agree with him about this being a strange place. Just as she starts to think he seems much more familiar with this discarded technology than she is, he tosses his latest potential treasure aside. It clanks against the already cracked television she sits beside, making her flatten against the ground to avoid getting hit, and she lets out a short yowl of protest at being so narrowly missed.
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Stopping short of letting out a hiss, she still fixes him with a look that could be called a scowl as he slowly moves closer. Nearly getting hit was an accident, she knows, but she takes a quick step back. Such a quick step back, in fact, that the precariously perched television she brushes up against tips and starts to tumble.
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Ah-watch out!
[It's a cat, Yusei. Then again, people do have that habit of talking to cats like they can understand them, huh? Either way, he's leaping forward to grab that television, hostile stray be damned. At this point, he doesn't mind if the cat ends up trying to attack him or something, but he'll be damned if he's gonna let it be hurt!]
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Moving toward the relative safety of the pile he was just looking through before getting interrupted, she stops to look back. She cannot consider it her fault if he suffers any injury himself, but she does wait to see. ]
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He lets down said television with a huff before standing up to stretch, looking out across the junkyard for the stray in an attempt to see if it's injured. He doesn't spot her at first, aimlessly wandering back to the pile he was looking through on instinct, and so he ends up nearly crossing paths with her again.
Yusei kneels down to try and inspect the cat further, far less cautious than last time.]
Thesa
But, his thoughts are soon interrupted when he hears a familiar voice. He had been so engrossed he hadn't even noticed she was there and he looks over.
Morrigan. At first he's smiling to see his magical advisor again, thinking he had all but missed his chance to speak with her again. But, that's quickly turned to confusion when she speaks to him. Being referred to as Knight-Enchanter and being asked his name? That was definitely confusing. Was she playing a joke on him? His eyebrow quirks slowly giving her a puzzled look. "It's good to see you as well, Morrigan but I thought we were past names already. We work together after all."
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She had not thought to find a defeated enemy here. Killing him once was enough of a trial for a great many people.
But what her companion says grabs her attention again, and her arched eyebrows become more pronounced. She had assumed he knew her through working with the Inquisition, but past the point of exchanging names? That makes her hesitate. His face is not that familiar to her. And while she has recently endured introductions to more nobles than she would ever care to recall, he is no noble.
"You seem to have me at a disadvantage." It seems very strange to her that he is just as puzzled by this. "I do not recall ever learning your name."
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But, her face showed clear confusion as well and her words are enough to convince him that she's not playing with him. He still looks at her with that mixed look of puzzled and concern but he answers "Well, I definitely recall giving it when Empress Celene appointed you to help the Inquisition. I even remember having you as my Arcane advisor. So, unless we're remembering things differently..." Could that even be possible?
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Him specifically? It begins to sound as though someone took his work with the Inquisition very personally.
Still, he has been courteous enough until now -- if oddly friendly -- and she can continue doing the same despite the fact that this begins to seem a bit silly. "I worked more closely with Inquisitor Cadash than I did with anyone else, but it seems we may have crossed paths more than I realized." She is having a hard time believing her memory is truly at fault here. "Shall we start over, perhaps? I am Morrigan." She nods somewhat expectantly. "And you?"
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It's still there, despite the power not being as it was, but the glow is the same. The green Fade light that dances on his palm in that horizontal cut.
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For a moment she feels uncharacteristically at a loss, stepping forward on impulse and catching his hand. The green shimmer there is palpable the moment her hand gets near, that familiar prickle of the Fade. It somehow seems a bit less here, but if this is indeed what he and her senses would have her believe, then perhaps it is a bit like the Well of Sorrows. Thedas is no more. There is no veil here, no Fade on the other side. Whatever is left of the Fade now they carry with them.
But that explains little.
"I recognize this," she starts, her words trickling out slowly at first, "but I do not recognize you. The last time I saw the Anchor 'twas in a dwarf's hand, as unlikely as that seems. How is this possible?"
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"It's the opposite for myself. I recognize you, but I'm the only one who received the Mark when I ran in on Corypheus killing the Divine. There was no dwarf." He thinks silently for a moment and the words Cole once said to him come to mind; A picture of a picture but you're a picture too. The thoughts form as he thinks more on it and it settles back in Redcliffe, how he and Dorian were thrown through time to a terrible future if the Inquisitor never existed.
Could it be-? He has to find out. Thankfully, he knows exactly how to figure this out quickly. "If you're willing to trust me I have a thought but I need to show you something in here first."
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She nods her consent. "I will hear you. Lead the way."
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He turns to Morrigan and gestures to it. "Do you know who this is inside?" If she did this would prove nothing of his thoughts, if not...well...it's a step in the right direction.
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He is young, still smooth-cheeked, and fairly well-dressed and... simply not a face she recalls.
"No." Her eyes linger on the familiar griffon on his chest before she turns toward Lavellan again, giving a slight shake of her head. "You believe I should?"
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The mark does not mean he is incapable of lying, but it does make her take him more seriously.
She is not a mother. She has never even truly wanted to be one, though she wanted to do the ritual, wanted to take responsibility for the soul of the old god, wanted to save the dearest friend she has ever known, wanted the pregnancy to keep Flemeth from interfering with her. Even if only for a while. Any knowledge of the ritual outside of Flemeth and herself should have, as far as she knows, died with Kallian.
"No." Her spine is rigid. In spite of herself, her eyes return to the griffon. "I have never had a child."
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"The Morrigan I knew did have a child. She-you told me they were born with the soul of an old god." He makes no effort to hide the truth because honestly what was there to gain here? She'd either not believe him and think he was a pretender or come to the same conclusion that there was something else at work here.
"We met with Flemeth in the Fade and she revealed herself to be Mythal and that you were bound to her for all eternity because you drank from the well." Finally he looks back to her with a small frown of contemplation. "I won't ask you to believe me if you don't want to. I know it's a lot since...well...clearly you don't know me but i know you. But I think there's more to this than we realize."
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She knows he does not. No one else wears the Fade burned into their palm, and there is only the one person to whom she explained the ritual and the child it would conceive. There is truth there, even if much of this can barely be believed.
"I did drink," she confirms after a moment. "That much we can easily agree upon."
Her eyes return to the boy, just briefly. Is that her son? And Alistair's, she assumes, though somewhere in the back of her mind she is pleased that nothing about him stands out to her as similar to Alistair, barring the griffon sigil worn.
She is curious as to what more Lavellan thinks there may be to this, but a few questions beg to be asked first.
"Why would I tell you of the old god's soul within him?" Even without having had the child she knows she would never do so lightly. "And why did we meet my mother in the Fade?"
im sorry for the super long wait i was having difficulty with a response
When she finally looks and speaks to him his lips thin and eyes glance to the side in thought. How does he even break this to a person who doesn't even remember this child? It's probably best to just speak simply "Because your mother called him to the Fade. For whatever reason she wanted the soul of the Old god inside him. Your mother though was the one who said he had the soul of an Old God. You just explained the rest of it after we got him back."
i. Entertainment District
Not to mention, they were pretty good.
It was a little odd to stand among the crowds because he looked so out of place, it also seemed like under all that leather he'd be a little warm. The warmth didn't bother Demyx so much, after all, he could just drink water when he wanted.
At that moment, he was getting thirsty. He opened his palm and water appeared before he popped a little ball of water into his mouth, subtly, so that no one saw what he was doing.
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Ducking between people's legs proves a bit hazardous here, so she slinks along the fringes of the crowd and leaps to a nearby window ledge that affords a better view. At this height she spies his quick use of unfamiliar magic. Countless times she has summoned fire, lightning, ice to her own palms, but what he just ate looked suspiciously like a little orb of... water?
It will mean more attention than she initially intended, but as he walks so slowly past she reaches out to prod his arm with one paw, suggesting herself an opportunistic cat who thinks he has something to share.
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He was strolling when he felt a little pressure at his elbow and he blinked and took a look at a cat pawing at him.
It was so cute!
"Hello!" Demyx said cheerfully, reaching out with his gloved hand to attempt to pet the creature. "How are you doing today? Do you like the music?"
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She lets out a small rasp of protest, ears back, and becomes a bit slithery, but she aims her nose at the same hand she saw him use.
It may not work at all. Unwilling to reveal herself unless she feels she has to, she may have to find an opportunity to ask in person. Still, she sniffs at his palm expectantly.
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When Morrigan goes for his other hand, he's a little puzzled. "I don't have any food or anything. Or maybe you smell water? Are you thirsty kitty?"
Cats obviously have a better sense of smell than he does. He summons a smaller ball of water and makes it settle on his palm. "Here you go."
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Her nose inches toward the ball of water, sniffing to keep up catlike appearances. It is a rather unexpectedly odd thing to her to think of this as something she cannot do. Frost, yes, and encasing things in ice, but no water in liquid form. Or... ball form, as the case may be.
As though she offers a reward for his understanding, she lets out an appreciative mrow. Curious to see what will happen -- if anything -- she reaches to gingerly bat at the orb of water.
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The ball did not lose its shape, not even when she pawed at it. Her meow made him smile, and the water was wet, which should have been no surprise.
With his free hand, he did scratch her ear with a finger. "I wonder if you're hungry too." He mused aloud.
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He does wonder aloud, and she looks up again, head tipped expectantly. While she is not inclined to beg for food, if he is capable of conjuring something else interesting she would rather like to see it.
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"I don't have any cat food." Not to mention, he only had one affinity. "But I can find you some. What do cats even eat?"