DCI T. NIGHTINGALE (
ettersberg) wrote in
nysalogs2018-01-08 09:42 pm
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Entry tags:
( mostly closed )
Who: Thomas Nightingale (
ettersberg) & various
What: dinner dates, accidentally stumbling about questers, a month in the life of one (1) thomas nightingale
When: january
Where: olympia
Warning(s): n/a (will warn in subject lines if anything comes up)
[ starters in comments. hit me up via pm or at
abiosis if you'd like to do something! ]
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What: dinner dates, accidentally stumbling about questers, a month in the life of one (1) thomas nightingale
When: january
Where: olympia
Warning(s): n/a (will warn in subject lines if anything comes up)
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That was my thought as well.
[ for a moment, his gaze slides away from john, leaving him lost in his own mind. returning to the war he'd fought in, that cost england nearly all of her wizards. ]
I do hope it won't come to that.
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Yeah. [ spoken gently. me too goes unsaid - as does his lack of optimism that their hopes will be granted. ] Just as long as we're careful.
[ the situation is different, again, for refugees. for now they're safe in their sidelessness, but that won't be forever if these frictions keep brewing. they're going to need to watch how they play it. but that's something to worry about as time goes forward - not right now.
John's watching Thomas steadily, focus calm and centred, ready to meet his eye when he comes back. provide some silent assurance. ]
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of course. the second world war was far from the only war england's been involved in. ]
Agreed.
[ before he can think of anything else to add, their food arrives, and he finds himself glad for the interruption, for the break in conversation. ]
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so when their food arrives, John lets the previous moment go, moves on.
there's the usual fussing and thanking as plates land, vegetables are brought over. sauces. John keeps up a casual friendly dialogue with the waiter: he's a semi-regular of this bar by now, and it's always nice to keep the staff in good spirits. plus it serves as a reset button, gives them both a bit of time to separate from the precious topic.
eventually they're alone again, tucking into food. John, forkful prepped and hovering, waits on the verdict of Thomas' first bite. ]
Make the right decision?
[ did they overcook it? ]
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and he likes knowing where john stands.
despite that, he has no particular interest in returning to it and so just smiles, something a little softer than before. ]
I did.
[ the steak is perfect. a beat, and he offers: ] Would you like to try it?
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so he's stuck staring at Thomas for a second, jaw slightly slack as he makes the decision. I'm alright thanks would get him past this nervy hurdle without incident, but it's also ridiculous. you can't be a person who throws himself into hot pursuit of murderers and also a person who turns down a bite of food because the thought of it has his heartbeat in his throat.
come on, John, for God's sake.
it's only a couple of seconds pause. a quick pair of blinks denotes him coming out of it, and there's a small series of nods to try and cover for his momentary lapse of presence. John sets down his fork but doesn't let it go, not quite sure how they're progressing with this. ]
Yeah, sure.
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but despite growing up in a day and age in which homosexuality has been not only a sin but also a criminal offence, he has never let himself be ashamed of his own desires, his urges, wanting men over women. (that is not entirely true; he has internalised some of the norms of his time, but he does not often let it to the surface.)
there is freedom here that lets him show affection and interest in men. he hadn't expected it to throw john off so obviously and he almost withdraws the offer before john is nodding, agreeing. perhaps he might have played with the thought of offering his fork to john food first, but now, he cuts off a bite of steak and hands his fork to john instead with the hilt of it first, letting john take it. ]
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taking the bite off the fork, John catches Thomas' eye just as he does, and a complicated little ripple of something crosses his face as his eyes dart away so he can chew. he ducks his head too, a vague attempt to conceal the suddenly shy pull of a smile and the heat he can feel in his ears.
Jesus Christ, you're not fourteen.
the fork dangles between his fingers as he swallows, nodding out a verdict before he can add the words that burst out as soon as his throat's clear to let them. ]
—Yeah. That's good. Good choice.
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he knows all too well that there are reasons, sometimes, why what one wants cannot happen regardless. the world is not always or even often kind in that way.
but he pushes those thoughts away. there is no need to be fatalistic before the fact. so he smiles, instead, and holds his hand out for his fork. ]
Quite. And your pie? Satisfied with it?
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Mmn. Thank you, it's good. [ this is where John ought to offer a bite in return, but it's instead where he takes a sip of wine: sharing food is what sent him spinning off on one, probably best he gives himself a second before he goes wandering down that path again.
wine swallowed and feeling considerably more collected than he did just a few seconds ago, John takes his already loaded fork in hand. ] Did you want some?
[ it's asked earnestly, not a product of perceived obligation (he really did just need a second to get himself together) - though it might come out sounding a bit throwaway. not his intention, just a result of a late recovery and trying to keep himself centred. ]
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(it's odd, to be thinking about these things. to be wondering. he'd have thought that he is too old for it, but john proves him wrong on that count.) ]
If you wouldn't mind.
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[ John's careful to hand Thomas the fork that same way he'd handed over his: handle first, to be taken at will. let's not cause ourselves any more little fits this evening. ]
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he drops them to john's hands when handing over the fork. ]
I see what you mean about familiarity. [ the reminder of home. ]
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yeah. ]
Close your eyes and you could almost be in a gastropub at home.
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[ thomas' smile is tinged with nostalgia, for a moment. but - ] I sampled most of the more traditional food not at pubs but in the Folly.
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The Folly?
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[ thomas finds that he doesn't actually know how to describe the folly in few words. in the end, he doesn't try doing it in few and elaborates: ]
The Folly is both a building and an institution, if you will. My former place of employ and the seat of British wizardry. [ at least it was. ]
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there's a moment of quiet from John, expression one of pause, suspended between not knowing and sudden realisation. then, without complaint, he nods. ]
Right. [ it's getting easier to accept things as they come. to be fascinated by them, instead of afraid. ] You're a wizard, then.
[ it's a question more than a statement, despite how it's intoned. an invitation to carry on talking about it. evidence that he wants to know more - but he won't push, if talking about home to any greater degree than that is too much. ]
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[ "the war" of course meaning wwii. it's easy enough to talk about it when he doesn't let himself linger on the mention. ]
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Thomas has lived through a lot. not running away at the mere mention of it is the least he can do. ]
Magical police. [ a catch at the edge of his mouth, expression wry but not mocking. ] We could've done with you on a case or two.
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Someone has to investigate magical breaches of the peace. [ but - ] What sort of cases?
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[ John flounders here, looking for a word... can't find one. inexplicable, Sherlock had called it, and he hadn't been wrong. ]
Light, I suppose. Anyway, they took it off our hands within a day. Whisked it away to some secret facility, no doubt. That or it's sitting in Mycroft's junk room. [ ah. ] —Was.
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[ thomas spreads his hands a little, as though to say "wasn't me". it's the truth, too, but it makes him wonder how different his world and john's really were.
he thinks on it for a moment. ] Though I think I could manage making an object do that.
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except, hello. ]
Yeah? [ magic. right, Thomas can do magic. ] Is there a spell for that, or do you just...?
[ is there a spell for that. John coughs out another short laugh. ]
Sorry. Pop culture's all I've got to go on.
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[ but - ] Which isn't to say I know them all. Wizards used to specialise, for the most part. [ here, his gaze slides away from john again, back into the past.
some knowledge, he fears, may be lost forever now because of that. that which isn't written down, at least. that which cannot be learned by studying a written text. if thomas doesn't know it, there isn't anyone else. ]
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i know nothing about rugby, NOTHING
me TOO let's never research this and pretend we did
perfect
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