Who: Akira (
larsenist) & The Nasty Crimeboys
What: Quests + Events + Etc.
When: February-March
Where: Near/Far/Whereeeeever you are...
Warning(s): Human disasters + some violence.
(( cr meme comment can be found here, if you'd like to plot out something! c: ))
richie // SAFE HAVEN
What's your favorite color.
[ It'll have to be red or peach. Akira doesn't mind swapping, or going with what they've got. ]
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Yet here they are. At least now that his own specs are off that vague resemblance is gone. Nothing tying them together save the thin build and the mops of unruly black hair. It's one thing to make the dad joke yourself but to get it from the outside? Spare him.]
If there's only two crayons in the pack I guess I'll say red. [He pulls it from Akira's hand and rolls it in his palm. Doesn't feel too different from any other rock, but wait until they're out in the boonies and dodging arrows. Things will get rioting then.] Besides, it makes more sense for you to take the offense. I can run quick, and I can seduce our way out of a jam, but you and your mean demon are the heavy hitters of this outfit.
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—And who knows, they could still be second cousins twice removed... ]
Peachy.
[ (Audience boos.) But that sounds solid to him... He'll have to be careful if he's using any party tricks, but then again Arsene doesn't pack much of a punch these days; just looks horrific to the unsuspecting normie. ]
Promise you won't leave me behind.
[ (He doesn't actually think Richie would abandon him... Leaving him in the dust, however, that's a lot more likely.) ]
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jack (s76) // PARTY FOULS
Akira does what he can to blend in, mingling where he can and sidestepping the rest... But as the night wears on, so does his energy and patience. He's ready to make an exit for good, though he's intercepted by a small group of drunkards.
—And some misfortunate minutes later, he's being dragged to one of the flames, and not without a struggle. (He collects a split lip for his troubles and a knee to the gut, only barely avoiding a sharp blow to the back of his head as he twists in his captors' grip.) ]
Fuck off.
[ He's doing his best not to summon his persona in a place like this, but as the heat of the pyre draws closer and closer, he's starting to seriously reconsider. ]
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The problem is that it doesn't stop there. It's getting late and 76 is on his way back to his apartment in the Old City when he hears the sounds of a struggle, and a growled out threat. He turns a corner to find the scene, illuminated by the light of one of the many fires that have been set all over the city.
There's a group of people dragging a young boy toward said flame, and when the light flickers just right, 76 gets a glimpse of his face. Akira? Since when did he come back out of stasis?
That's a question to worry about later. 76 quickly closes the distance between him and the group so that he can break things up, his hands curled into fists at his sides as he prepares for a fight. ]
You're gonna want to let go of him.
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They release Akira (or rather, one of them viciously kicks him into the dirt), before turning their attention to their new contender. (Street brawlers in these parts don't seem to care whether they're armed or unarmed in a fight, and this lot is as mean as they come.) One of them spits into the ground as they size up 76, shoulders rolling back as he lumbers over.
—There aren't any introductions, not even a single jeer. The thug throws a punch immediately, aiming for what he perceives to be an opening, and it quickly descends into chaos from there. (The Wyverns aren't afraid to take advantage of their numbers, another bruiser stepping in to join the fray.)
Akira, in the meantime, struggles to get to his feet, still winded from the previous beating. (He has no idea who his mysterious benefactor is, but he can't just sit back and watch...)
(...Though, it'll be another tag before he can recover enough to do anything. All you, heroic stranger...) ]
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// A Day in the Life (Take Two)
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But the more they tip-toe about, the more... strange it gets. Clair has no great experience sneaking about like the rest of her company, and yet it's easy to dodge the servants in their own wing, and the guards are scarcely around. They end up in this wing for precisely that reason: it's the least occupied corner of the house.
Yusuke's not sure what to make of it at a glance, silently slipping through the door and taking watch of the hallway as Clair gets a chance to snoop about first. Not that there's a point, no one's coming. And it's so quiet they'd hear anyone try.
...Creepy. He speaks in a low whisper over to her. ]
What is this place?
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It's eerie.
She inspects the room they've infiltrated while Yusuke waits by the door, glancing around the sitting room and then peeking behind the door—a bedroom. Someone's quarters, then, though the painting over the fireplace kind of gives away who they belong to. ]
I do believe these are Colby's rooms.
[ Strange. They're quite large for a servant's room, but—why does the brother live in the servant's wing anyway? That strikes her as very unusual. Shocking, almost, for a member of the family to live with the servants. It's even more weird then the fact that everything in the room looks like its occupant just stepped out for a moment. ]
My goodness. 'Tis almost as if he still lives here.
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Meanwhile...
They're immediately greeted by no shortage of paperwork, though Akira's more keen on searching for any conspicuous objects before thumbing through the stacks. ...Maybe Percival might find enjoyment in the task. He seems to be the more methodic of the two...
The thief helps himself to the plush chair behind the desk, and though it's tempting to kick his feet up, he refrains. He gets busy searching the carpentry for hidden compartments, and when he finds none, he resorts to the usual lock-picking. (The drawers open without putting up a fight.) ]
'Dear Diary'...
[ He procures a leather-bound journal and passes it to his accomplice to examine while he continues to comb through the remaining contents in the drawers. ]
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It hasn't been long, but Akira has already begun to prove himself as someone valuable to have around for such an investigation. He seems to be going directly for things that might be hidden in certain compartments, and given that they don't have infinite time to search the house, it makes perfect sense. Percival, on the other hand, begins to focus his efforts on skimming the various papers scattered around the office. He's wearing gloves, lest they leave behind incriminating fingerprints, and moves so as to not disturb things as they are within the messy office. ]
A journal of some sort? [ He flips through it quickly. There's nothing here reported that's out of the ordinary. ] The entries stop shortly after Colby's death, as expected.
[ He continues leafing through the documents, zeroing in on what look like a set of correspondance... all in different handwritings. ]
Here. These appear to be messages sent back and forth among the three of them.
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sansa // CHAOS ERUPTS (TAILOR)
Even in the disarray of overturned dress forms and rent fabric, scattered feathers and beads, Akira immediately spots a girl kneeling next to a pool of torn garments, holding one of the ruined gowns in her hands. (It's probably none of his business, but he can't ignore her, either. There's no knowing who'll come back this way, and with the current condition of the city as unpleasant as it is...) ]
You okay...?
[ He's quiet but careful about his approach, taking care not to startle her. (He's well-aware he could easily be mistaken for a looter himself, and he's not that kind of thief.) ]
WALTZES HERE TWENTY YEARS LATE im so sorry
Lady is healed, now, and her attention is on the ruined remains of the garments they'd worked so hard on. what a waste it is, she thinks — if the looters had stolen the clothes for themselves, that she could have understood. but destroying them, for no reason at all? what was the point of that?
she looks at the young man who walks in, sighing at his question. ]
I'm fine, [ she says, quiet and tired. ] If you're here looking for injured people, there's no one else here but me. Well, me and my direwolf.
koltira // CHAOS ERUPTS (MIST)
He's far from first to join the fray; by the time he joins in practically the entire street has already devolved into exchanging blows. In the midst of it, he just so happens to recognize a refugee from the gala. (...It is especially difficult to forget someone as tall, dead and handsome as Koltira.)
And though Akira's a little too preoccupied to exchange greetings, it isn't long before they're within the other's vicinity. He shoves a particularly irritating rioter away from him with a foot to the chest, sending the stranger Koltira's way. ]
Heads up.
[ (Hey, how's it going?) ]
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He does catch the rioter, though, holding him up by the wrist. he man flails, growling like an animal, kicking and thrashing about. ]
These people have gone mad.
[ And Koltira would know. ]
Are we permitted to kill them?
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It's tempting.
[ (But he's still young, too green and soft at heart to really contemplate murder even under the oppressive fog clouding his head.) ]
Maybe— [ His words are punctuated as he ducks another swing in his direction (this time it's someone a makeshift bludgeon), ] —they'll wear themselves out.
[ (Doubtful.) He doesn't hold back his aggression this time, drawing his knife and ramming the hilt sharply into the side of the male's head, knocking him out cold. ]
...Maybe not.
[ He blinks over at Koltira, a hint of mischief behind his flat expression. ] That's one for me.
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wildcard - i told you i'd just copy and paste this
bEAUtiful
Sorr— [ —y. ]
...Hey.
[ Translation: Haru... you're safe... he is so goddamn glad to see you...
...Also this is his cue to get up and help her, but the rest of him seems pretty determined to stay planted where he is. He musses his hair wordlessly for a moment instead—it feels a lot like when he'd woken up on Thesa, the same relief and melancholy. ('You alright?' he'd ask, as he usually does, and she'd probably smile and tell him she was...) ]
...Can I borrow you for a minute?
[ Maybe it's just a trick of the light, but she looks about as aimless and frazzled as he feels. ]
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Oh! I'm—
[Sorry, she's about to say, but her apology dies on her lips at the same time as Akira's does on his.]
Hey...
[She echoes what he says. It takes her a moment or two to start to get up to her feet, and she holds her hand out to him as she does. It's cool. They're both dealing with a lot, clearly.
She's never known him not to dodge something like that.]
Of course you can. Did you have somewhere in mind, or would you like to come over?
[Her house is a little quieter these days. Even the dogs are more subdued than before.]
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hey i love being sad!!!
hey me too!!!
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red // TAKEN
It's difficult to see any of his friends in pain, and even worse to know one of them is still missing. His hands curl into fists at his side, a sharp and sudden anger flaring in him.
...He can't stay here and watch. He exits the room silently, not so much of a word in parting as he heads straight for the door.
(He'll find Sandra, and god help whoever took her if he finds them too.) ]
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There's only so much waiting she'll do — but she bides her time, because storming out would spell disaster. Especially with the number of people in their house, the number of eyes watching each other ( waiting, just like her ).
She stays in the kitchen under the pretense of lounging the best she can. When movement catches her attention, she follows up beside him. Gently tapping his shoulder as she shrugs on a jacket of her own — if he turns, she shoots him a look before opening the door. Gesturing to let him through, first.
It's a proper protag squad, now. ]
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And while it's probably bad manners to go through a door before a lady, neither of them are the type to argue etiquette when there are more important things to do. He takes his cue and steps outside, only pausing long enough for them to plot a preliminary search route. (Amazing he doesn't even have to explain what all this is about.) ]
...I didn't see any sign of her coming back from the Institute.
[ So that's one path they can cross off their map. ...Many more to go, but it doesn't deter him. ]
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cw: p5 spoilers not that anyone is reading this
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> taken.
Nothing public yet. But his hackles don't settle. (Sandra and Richie spend time enough together. It's safe enough to assume, if she's not in her place in the house, that she's off at his. But neither one of them are answering their messages. And after getting harried on the way home, the part of him that had plenty of time to ruminate on the rapid decimation of Cloudbank is already starting to ease into on edge.)
Enough that he starts a little, when he notices Akira nearby. Lifts his head and drops his phone into his pocket. (Seemingly) apropos of very little—]
You haven't heard from Rich, have you? [A beat, but before Akira can answer that first question—] ...Sandra?
[(Clair, Percival...the list will only get longer the wider they start to cast their net. But for now—it starts closer to home.)]
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Tried texting earlier. No dice.
[ From either of them, who are both usually available this time of day. (Could be in each other's company, but with the riots and the ashes of their first home only just behind them, all members of the household have done their best to stay connected.) ]
...I could go for a walk.
[ Richie's still only a hop and a skip away. ]
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...Yeah, sure. Sounds good.
[Sounds really good, actually. (What are the odds that they'll knock on the door to Richie and Sandra wondering what they've gotten themselves all worked up about and that'll be that? Worse than they should be, far worse than he'd like.) But don't think for a second he's letting you do it alone, kid. He casts a glance over his shoulder at the house, as if to check if anyone's come out to listen in on them. (Red, mostly—she'd worried, he's worried. But he doesn't want to make it worse just because his feet are itching and his head is running overtime. Not until he knows he's got a leg to stand on.) Then he picks the Transistor up from where he's leaned it against the building to swing it up to its usual place against his shoulder so they can get moving.]
Don't know about you— [But.] I've got a bad feeling.
[As fuzzily-founded as it is. He doesn't much like the idea of heading off without Red, but he likes the idea of involving her even less until he knows what they're dealing with. Besides—they won't be far.]
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